Cairo, 1167 AD. On the banks of the river Nile, from a palace of gold and lapis lazuli, the Fatimid Caliph al Hadid rules over a crumbling empire. His city is awash with intrigues and in the shadow of the Grey Mosque, generals and emirs jockey for position under the scheming eyes of the powerful grand vizier, Jalal. In the crowded Souk, these factions use murder and terror to silence their opposition...Egypt is bleeding and the scent draws her enemies in like sharks: the Sultan of Damascus, the pious Nur al-Din, whose master is the rival Caliph of Baghdad; Shirkuh, the swaggering Kurd who would lead the armies of Damascus to victory and then, of course, Amalric, Christian king of Jerusalem whose insatiable greed knows no bounds. Yet the Caliph of Cairo has an unexpected ally: an old man who lives in a place that even eagles fear. He is Shaykh al-Jabal, called the Old Man of the Mountain, and it is he who holds the ultimate power of life and death over the warring factions of the Moslem world, and it is he who sends his greatest weapon into Egypt, to serve the Caliph. He is but a single man but he is an Assassin: the one they call the Emir of the Knife...
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It is the middle of the 12th century . . .
On the banks of the Nile, in a city alive with intrigue, Caliph Rashid al-Hasan rules as a figurehead over a crumbling empire. In the shadow of the Grey Mosque, generals vie for power and influence under the scheming eyes of a venal grand vizier. Warring factions use murder and terror to silence their opponents. Egypt bleeds - and the scent draws her enemies in: the swaggering Shirkuh, who serves the Sultan of Damascus, and Amalric, king of Jerusalem, whose greed is insatiable and whose Crusader knights are hungry for a fight.
Yet all is not lost. In a distant land, there lives an old man who holds the power of life and death over the Moslem world. He has decided to help the Caliph and sends his greatest
weapon. A single man. An Assassin. The one they call the Emir of the Knife...
"The mark of exceptional historical fiction is its creation of an alien world so convincing (and peopled by such fascinating characters) that the reader never wants to go back to the real one. Scott Oden delivers exactly that in The Lion of Cairo, a tale of that reads like a cross between the 'Arabian Nights' and a Hollywood blockbuster. Men of Bronze and Memnon put Mr Oden squarely on the historical fiction map. The Lion of Cairo assures his place in the very front rank" (STEVEN PRESSFIELD The New York Times)
"Filled to the brim with assassins and concubines, caliphs and street thugs, the devout and the heretical. It's partly a swashbuckling historical, partly a tale of palace intrigue, partly a fast and furious espionage yarn. A terrific trip into Cairo's exotic past. Just pray the Emir of the Knife is on your side" (DAVID ANTHONY DURHAM)
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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