Revolutionary approaches to compositional practice and musicological research have been associated with Otto Laske's work for over a quarter of a century. Laske's scientific understanding of the compositional process has made it possible to systematically formalize computer-assisted and computer synthesized music. In this book, international scholars survey new directions in compositional and musicological practices as influenced by Laske's pioneering work. These two seemingly independent areas of inquiry, composition, and musicology, are presented as a comprehensive integration. The essays offer an interdisciplinary examination of issues imbued with ethnographic considerations of the musical experience, research in perception and brain functions, the design of computer-based neural networks that emulate human musical activities, investigations into the psychological make-up of artists, and a unique perspective on how computers are used in many different areas of music. Compositional and cognitive musicological research are placed in a historical perspective and accompanied with contemporary issues surrounding this research. An interview with Otto Laske and two of his own essays are also included.
This study of Otto Laske will appeal to musicologists and students of music theory and composition. Its interdisciplinary content will also interest scholars in a variety of fields including electronic music, ethnomusicology, computer science, artificial intelligence and other cognitive sciences, psychology, and philosophy. Researchers will appreciate the comprehensive bibliography of Laske's compositions and writings.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
JERRY TABOR is Assistant Professor of Music at Salisbury State University in Maryland where he coordinates and teaches in the composition, computer music, and theory programs./e His music is performed throughout the United States and is recorded on the Neuma label.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Fahrenheit's Books, Denver, CO, Etats-Unis
Hardcover. Etat : Good+. No Jacket. First Edition. First edition, hardcover, has a shallow skew to the binding, bumps to the spine ends, light creasing to the upper corner of the pages leading up to the Introduction, smudging with a couple small areas of soiling to the edges of the text block, and pencil marks to p. 78-8. Overall, a solid, tight, Good+ copy. N° de réf. du vendeur 205056
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Hardcover. Etat : As New. 1st Edition. Greenwood Press hardcover sans dust jacket (as issued), 1999, unused and carefully stored, No marks or 'shelf wear' (as New). We will bubble wrap the book and ship it in a New BOX- Not a plastic bag like the zombie sellers. Otto Laske: Navigating New Musical Horizons' edited by Jerry Tabor. N° de réf. du vendeur GP162
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. In this volume, international scholars survey new directions in compositional and musicological practices as influenced by the work of Otto Laske. Issues addressed include ethnographic considerations of the musical experience and research in perception and brain functions. Series: Contributions to the Study of Music & Dance. Num Pages: 232 pages, black & white illustrations. BIC Classification: AVA; AVGC6; AVH. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 152 x 17. Weight in Grams: 513. . 1999. Hardback. . . . . N° de réf. du vendeur V9780313306327
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