Whilst defining the very meaning of forgery, Nick Groom ranges from the economic forgery of the 18th century, where the forgery of a #100 banknote could mean death by hanging, to the formation of literary copyright which was established not in order to protect the nation's authors, but rather as a way of censoring them. At the centre of Groom's book are the figures of literary forgery that have haunted both our literature and our imaginations for years. There is Chatterton: the fatal model for the Romantic perceived as a mad, unrecognized, and suicidal genius but one whose supposedly tragic life was as much myth as the 15th century monk he invented. Or there is Macpherson: constantly at war with Samuel Johnson who edited (or wrote, or indeed forged) the lost epics of a third-century Celtic bard; there is the forger William Henry Ireland who not only wrote two new and disastrous Shakespeare plays but also forged a legal document to make sure he benefited from the royalties; and finally there is the famous Wainewright who was a supreme forger in practically every sphere whose effect on literature from Dickens to Wilde to the early 21st century cannot be underestimated.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Nick Groom is Senior Lecturer in Post-Mediaeval Literature at the University of Bristol. He took a double first in English at Oxford, worked unsuccessfully as a rock musician, wrote a doctoral thesis on eighteenth-century ballads and since then has published widely on literature, music and contemporary art in both academic and popular publications. He lives on Dartmoor and in North London.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardback. 1st Edition. Octavo Size [approx 16x24cm]. Near Fine copy in a Very Good dustjacket. DJ now protected in our clear archival purpose-made plastic sleeve. An excellent copy. 351 pages. This book sheds light on the plagiarisms, the counterfeits, and the forgeries of our literary past and demonstrates their significance in our history and our art. In defining the meaning of forgery, the author ranges from the economic forgery of the eighteenth century where forging a banknote could mean death by hanging, to the formation of copyright. At the centre of the book are figures of literary forgery including Thomas Chatterton, James MacPherson, William Henry Ireland - and more. A gripping and illuminating book. N° de réf. du vendeur 262348
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Hardcover. Etat : Used; Very Good. ***Simply Brit*** Welcome to our online used book store, where affordability meets great quality. Dive into a world of captivating reads without breaking the bank. We take pride in offering a wide selection of used books, from classics to hidden gems, ensuring there is something for every literary palate. All orders are shipped within 24 hours and our lightning fast-delivery within 48 hours coupled with our prompt customer service ensures a smooth journey from ordering to delivery. Discover the joy of reading with us, your trusted source for affordable books that do not compromise on quality. N° de réf. du vendeur 3849344
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Hardback. , . NB: This is a secondhand book in very good condition. See our FAQs for more information. Please note that the jacket image is indicative only. A description of our secondhand books is not always available. Please contact us if you have a question about this title.Author: UnknownFormat: HardbackNumber of Pages: 352Whilst defining the very meaning of forgery, Nick Groom ranges from the economic forgery of the 18th century, where the forgery of a #100 banknote could mean death by hanging, to the formation of literary copyright which was established not in order to protect the nation's authors, but rather as a way of censoring them. At the centre of Groom's book are the figures of literary forgery that have haunted both our literature and our imaginations for years. There is Chatterton: the fatal model for the Romantic perceived as a mad, unrecognized, and suicidal genius but one whose supposedly tragic life was as much myth as the 15th century monk he invented. Or there is Macpherson: constantly at war with Samuel Johnson who edited (or wrote, or indeed forged) the lost epics of a third-century Celtic bard; there is the forger William Henry Ireland who not only wrote two new and disastrous Shakespeare plays but also forged a legal document to make sure he benefited from the royalties; and finally there is the famous Wainewright who was a supreme forger in practically every sphere whose effect on literature from Dickens to Wilde to the early 21st century cannot be underestimated. Hardback. N° de réf. du vendeur 9780330374323-SECONDHAND
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