After a terrifying car crash in which both her closest relatives are killed, Felicity Freer comes to in a Devon hospital blinded, burned and amnesiac. Bit by bit, she learns of the events which took place the week before her accident, as she sets about uncovering her past.
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Janet had her first three books published in the same year 1989. One of them was a guide to good food in Somerset, another a cookery book, THE LITTLE BOOK OF FRENCH COOKERY, which she has seen all over the world, and the third was the first in her culinary crime series featuring Darina Lisle, cordon bleu cook. ‘I wanted to write a series of crime books; a cook can go anywhere and meet anyone, including corpses,’ she says. ‘And food was something I knew about.’ At the time she was the cookery correspondent for The Daily Telegraph and ran courses from her Somerset home. Since then she has published sixteen crime novels: ten in the Darina Lisle Series, each featuring a different aspect of the food world; three in the mid-eighteenth century Canaletto series, and two in her new historical series, set in the first years of the twentieth century and featuring an the American Ursula Grandison working together with an ex-Metropolitan detective, Thomas Jackman: A DEADLY INHERITANCE, and A FATAL FREEDOM. She is currently working on the third. There is also a stand-alone suspense novel, TO KILL THE PAST. She is one of the contributors to THE SINKING ADMIRAL, a collaborative crime novel by fourteen members of The Detection Club published in 2016, and is the author of WRITING CRIME FICTION – Making Crime Pay. A number of crime short stories have been published in various anthologies, of which COME TO TEA was short listed for an Agatha Award. A paper on publishing in the Golden Age of Crime Fiction was published in A-Z ... GOES CLASSIC, published in the US. Janet has presented papers on crime writing to a number of International Conferences, Symposia and Seminars. She has served as chairman of the Crime Writers’ Association and is a member of The Detection Club. She was included in The Times ‘100 Masters of Crime’ and has been a Writer in Residence and Visiting Fellow at Jane Franklin College at the University of Tasmania. She runs a number of crime writing courses and also produces editorial assessments for unpublished scripts. She is currently Chair of the Judging Panel for the CWA International Dagger and a member of the Society of Authors’ Management Committee. Janet lives in Somerset and enjoys being part of a village community. When she’s not writing, she plays bridge, is a keen cinema-goer and also member of a local book club.
'Fear was back like a wild cat that had leaped on to her shoulders. Her body jerked and twisted as she fought the unnameable, the unidentifiable. The darkness never lifted. The fear never lessened. Gradually, she realized that she was in hospital. But the major part of her consciousness was grappling to come to terms with the appalling nature of her situation. She couldn’t remember who she was.’ After a terrifying car crash in which her two closest relatives are killed, Felicity Frear comes to in a Devon hospital blinded, burned and amnesiac. Even the news that she has been left Kingsleigh, the historic and beautiful family home of the Dashwoods, means nothing to her. Discharged from hospital, Felicity heads straight for her new home, hoping that the sight of a place she’s apparently known since childhood might bring her memory back. It doesn’t. Felicity finds herself alone and vulnerable, unable to understand her hostile reception. Then her nightmare begins as the phone rings and a cold, detached voice says: ‘Now you’re back, I want what what’s mine’... Bit by bit, Felicity learns of the horrific sequence of events which took place at Kingsleigh the week before her accident. In a desperate attempt to make sense of the mysteries which surround her, Felicity sets about uncovering her past. But even in her worst imaginings she could never have guessed what might confront her there...
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