This major new interdisciplinary study argues that Shakespeare exploited long-established connections between vision, space and language in order to construct rhetorical equivalents for visual perspective. Through a detailed comparison of art and poetic theory in Italy and England, Thorne shows how perspective was appropriated by English writers, who reinterpreted it to suit their own literary concerns and cultural context. Focusing on five Shakespearean plays, she situates their preoccupation with issues of viewpoint in relation to a range of artistic forms and topics from miniatures to masques.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Alison Thorne is Lecturer in English Studies at the University of Strathclyde.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 50924197-6
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Vendeur : Phatpocket Limited, Waltham Abbey, HERTS, Royaume-Uni
Etat : Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. N° de réf. du vendeur Z1-L-038-02785
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Vendeur : Capitol Hill Books, ABAA, Washington, DC, Etats-Unis
Etat : Very Good. Etat de la jaquette : Very Good. London: MacMillan Press, 2000. First Edition with full numberline. Octavo (22.2cm); illustrated dust jacket over black cloth boards with gilt lettering to spine; xvi,290pp; b&w illus. Jacket shelfworn with a few scratches and impressions to front panel, some general dust-soiling, and sticker residue over UPC on rear. Boards a bit bumped at corners and spine ends. A couple pages towards rear creased from hasty closure. Binding sound and pages unmarked. Not ex-library. Published simultaneously by St Martin's Press in the US. N° de réf. du vendeur 47106
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Vendeur : Ria Christie Collections, Uxbridge, Royaume-Uni
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Vendeur : THE SAINT BOOKSTORE, Southport, Royaume-Uni
Hardback. Etat : New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days. N° de réf. du vendeur C9780333659397
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Hardcover. Etat : Brand New. 290 pages. 8.27x5.75x1.02 inches. In Stock. N° de réf. du vendeur x-0333659392
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Vendeur : moluna, Greven, Allemagne
Gebunden. Etat : New. Alison Thorne is Lecturer in English Studies at the University of Strathclyde.This major new interdisciplinary study argues that Shakespeare exploited long-established connections between vision, space and language in order to construct rhetorical e. N° de réf. du vendeur 458423709
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Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
Buch. Etat : Neu. Neuware - This major new interdisciplinary study argues that Shakespeare exploited long-established connections between vision, space and language in order to construct rhetorical equivalents for visual perspective. Through a detailed comparison of art and poetic theory in Italy and England, Thorne shows how perspective was appropriated by English writers, who reinterpreted it to suit their own literary concerns and cultural context. Focusing on five Shakespearean plays, she situates their preoccupation with issues of viewpoint in relation to a range of artistic forms and topics from miniatures to masques. N° de réf. du vendeur 9780333659397
Quantité disponible : 2 disponible(s)