Although Gothic writing is now seen as significant for an understanding of modernity, it is still largely characterized as a literature of fear and anxiety. Gothic and the Comic Turn argues that, partly through its desire to be taken seriously, Gothic criticism has neglected the comic doppelganger that has always inhabited the Gothic mode and which in certain texts emerges as dominant. Tracing an historical trajectory from the late Romantic period through to the present day, this book examines how varieties of comic parody and appropriation have interrogated the complexities of modern subjectivity.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
AVRIL HORNER is Professor of English at Kingston University, London, UK. Her most recent book publication is the edited collection, European Gothic: A Spirited Exchange, 1760-1960 (2002), and she is currently working with Janet Beer on Edith Wharton: Sex, Satire and the Older Woman, to be published by Palgrave in 2006.
SUE ZLOSNIK is Head of the Department and Professor of English at the Manchester Metropolitan University, UK. She has published recently on George Meredith and Robert Louis Stevenson. Together they have published Landscapes of Desire: Metaphors in Modern Women's Fiction (1990) and Daphne du Maurier: Writing, Identity and the Gothic Imagination (Palgrave, 1998) as well as numerous articles on Gothic fiction and women's writing.Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Buch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Although Gothic writing is now seen as significant for an understanding of modernity, it is still largely characterized as a literature of fear and anxiety. Gothic and the Comic Turn argues that, partly through its desire to be taken seriously, Gothic criticism has neglected the comic doppelganger that has always inhabited the Gothic mode and which in certain texts emerges as dominant. Tracing an historical trajectory from the late Romantic period through to the present day, this book examines how varieties of comic parody and appropriation have interrogated the complexities of modern subjectivity. 205 pp. Englisch. N° de réf. du vendeur 9780333771518
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Buch. Etat : Neu. Druck auf Anfrage Neuware - Printed after ordering - Although Gothic writing is now seen as significant for an understanding of modernity, it is still largely characterized as a literature of fear and anxiety. Gothic and the Comic Turn argues that, partly through its desire to be taken seriously, Gothic criticism has neglected the comic doppelganger that has always inhabited the Gothic mode and which in certain texts emerges as dominant. Tracing an historical trajectory from the late Romantic period through to the present day, this book examines how varieties of comic parody and appropriation have interrogated the complexities of modern subjectivity. N° de réf. du vendeur 9780333771518
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Gebunden. Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. AVRIL HORNER is Professor of English at Kingston University, London, UK. Her most recent book publication is the edited collection, European Gothic: A Spirited Exchange, 1760-1960 (2002), and she is currently working with Janet Beer on Edith Wh. N° de réf. du vendeur 458425761
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