Articles liés à Making Popular Music: Musicians, Creativity and Institutions
L'édition de cet ISBN n'est malheureusement plus disponible.
Synopsis
Partly because they are objects of such intense adulation by fans, popular musicians remain strangely enigmatic figures, shrouded in mythology. This volume looks beyond the myth and examines the diverse role music makers have had to adopt in order to go about their work: designer, ventriloquist, star, delegate of the people. Arguing against that strand in cultural studies which deconstructs all claims for authorship by the individual artist, the author suggests that creativity should be reconceived rather than abandoned. What is needed is a sense of "the radius of creativity" within which musicians work, an approach that takes into account both the embedded collectivism of popular music practice and the institutional power of the music industries. Drawing on a wide range of theoretical positions, as well as examining musical texts from across the history of 20th century pop, this text develops a case for the importance of production in contemporary culture.
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Présentation de l'éditeur
Partly because they are the objects of such intense adulation by fans popular musicians remain strangely enigmatic figures, shrouded in mythology. This book looks beyond the myth and examines the diverse roles music makers have had to adopt in order to go about their work: designer, ventriloquist, star, delegate of the people. The musician is a divided subject and jack of all trades.
However the story does not end here. Arguing against that strand in cultural studies which deconstructs all claims for authorship by the individual artist, Jason Toynbee suggests that creativity should be reconceived rather than abandoned. He argues that what is needed is a sense of 'the radius of creativity' within which musicians work, an approach that takes into account both the embedded collectivism of popular music practice and the institutional power of the music industries.
Drawing on a wide range of theoretical positions, as well as examining musical texts from across the history of twentieth-century pop,this groundbreaking book develops a powerful case for the importance of production in contemporary culture. Students of cultural and media studies, music and the performing arts will find this book an invaluable resource.
Revue de presse
... an important book ... Toynbee deals directly with the most interesting of all cultural studies questions: what is creativity? (Simon Firth, University of Stirling, UK)
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
- ÉditeurHodder Arnold
- Date d'édition2000
- ISBN 10 0340652241
- ISBN 13 9780340652244
- ReliureRelié
- Langueanglais
- Nombre de pages200
- Coordonnées du fabricantnon disponible
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