A completely unputdownable and addictive crime thriller packed with twists
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Sophie Hannah is a Sunday Times, New York Times and Amazon Kindle No. 1 bestselling author whose books have sold millions of copies and are published in 51 countries. She was the first person to write and publish new Hercule Poirot mysteries, at the request of Agatha Christie's family and estate. In 2023 she won the Dagger in the Library Award, and in 2013 she won the UK National Book Awards Crime Novel of the Year prize for her novel The Carrier. Sophie is also an award-winning poet whose work is studied at GCSE level across the UK, and has been shortlisted for the T.S. Eliot Prize. Her murder mystery musical, The Mystery of Mr E, was released as a feature film in 2023. Sophie is the founder and coach at Dream Author Coaching, and her recent self-help book about how to make brilliant decisions, The Double Best Method, was an Amazon top ten bestseller. Sophie lives with her husband, grown-up children and dog in Cambridge, where she is an honorary fellow of Lucy Cavendish College.
Three years ago, something terrible happened to Naomi Jenkins - so terrible that she never told anyone.
Now Naomi has another secret - her lover, unhappily married Robert Haworth. When Robert vanishes, Naomi knows he must have come to harm. But the police are less convinced, particularly when Robert's wife insists he is not missing.
Naomi is desperate. If she can't persuade the police that Robert is in danger, perhaps she can convince them that he is a danger to others. Then they will have to look for him - urgently.
Naomi knows how to describe in detail the actions of a psychopath. All she needs to do is dig up her own troubled past . . .
'Disturbing and gripping . . . Intense and always page-turning with a collection of brilliantly delineated characters. Classy stuff' OBSERVER
'Another superbly creepy foray into the genre. Her plots are brilliant - I couldn't see through this one at all' GUARDIAN'
'One of the great unmissables of the genre - intelligent, classy and with a wonderfully Gothic imagination' THE TIMES
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