The extraordinary bestselling author, who wrote three astonishing Victorian novels before moving to the 1940s with The Night Watch and The Little Stranger, now turns to the 1920s.
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Sarah Waters, who was born in Wales, has been described as 'one of the best storytellers alive today' (Matt Thorne, Independent), and there can be no doubt that readers and critics alike have been gripped by her extraordinary imagination. Sarah Waters' first novel, Tipping the Velvet, won a Betty Trask Award, and was shortlisted for the Mail on Sunday/John Llewellyn Rhys Prize. Her next novel, Affinity, won the Somerset Maugham Award and the Sunday Times Young Writer of the Year Award while Fingersmith and The Night Watch were both shortlisted for the Man Booker Prize and the Orange Prize. The former also won the CWA Ellis Peters Dagger Award for Historical Crime Fiction and the South Bank Show Award for Literature. The Little Stranger was shortlisted for the Man Booker Prize in 2009 and The Paying Guests was shortlisted for the Baileys Prize in 2015. Tipping the Velvet, Affinity, Fingersmith and The Night Watch have all been adapted for television, The Little Stranger was adapted as a film by Lenny Abrahamson, and Fingersmith inspired Park Chan-wook's film, The Handmaiden. Sarah Waters has been named Author of the Year five times: by the British Book Awards, The Booksellers' Association, Waterstone's Booksellers, Glamour Magazine Awards and the Stonewall Awards. In 2019 she was awarded an OBE for services to literature.
It is 1922, and in a hushed south London villa life is about to be transformed, as genteel widow Mrs Wray and her discontented daughter, Frances, are obliged to take in lodgers. Lilian and Leonard Barber, a modern young couple of the 'clerk class', bring with them gramophone music, colour, fun - and dangerous desires. The most ordinary of lives, it seems, can explode into passion and drama . . . A love story that is also a crime story, this is vintage Sarah Waters.
'Another wild ride of a novel . . . magnetic storytelling' Tracy Chevalier, Observer
'Sumptuous . . . the writing is impeccable. A joy in every respect' Lionel Shriver, New Statesman
'You will be hooked within a page . . . the apotheosis of her talent . . . I have tried and failed to find a single negative thing about it' - Charlotte Mendelson, Financial Times
'An unsurpassed fictional recorder of vanished eras and hidden lives' - Peter Kemp, Sunday Times
A New York Times Notable Book of the Year
'There came the splash of water and the rub of heels as Mrs Barber stepped into the tub. After that there was a silence, broken only by the occasional echoey plink of drips from the tap...
'Frances had been picturing her lodgers in purely mercenary terms - as something like two great waddling shillings. But this, she thought, was what it really meant to have paying guests: this odd, unintimate proximity, this rather peeled-back moment, where the only thing between herself and a naked Mrs Barber was a few feet of kitchen and a thin scullery door. An image sprang into her head: that round flesh, crimsoning in the heat.'
It is 1922, and London is tense. Ex-servicemen are disillusioned, the out-of-work and the hungry are demanding change. And in South London, in a genteel Camberwell villa, a large silent house now bereft of brothers, husband and even servants, life is about to be transformed, as impoverished widow Mrs Wray and her spinster daughter, Frances, are obliged to take in lodgers.
For with the arrival of Lilian and Leonard Barber, a modern young couple of the 'clerk class', the routines of the house will be shaken up in unexpected ways. And as passions mount and frustration gathers, no one can foresee just how far-reaching, and how devastating, the disturbances will be.
This is vintage Sarah Waters: beautifully described with excruciating tension, real tenderness, believable characters, and surprises. It is above all a wonderful, compelling story.
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