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The Book of Hours and the Body: Somaesthetics, Posthumanism and the Uncanny - Couverture souple

Livre 85 sur 91: Routledge Research in Art History

Lindquist, Sherry C. M.

 
9780367504540: The Book of Hours and the Body: Somaesthetics, Posthumanism and the Uncanny

Synopsis

This book explores our corporeal connections to the past by considering what three theoretical approaches - somaesthetics, posthumanism, and the uncanny - may reveal about both premodern and postmodern terms of embodiment.

It takes as its point of departure a selection of fifteenth-century northern European Books of Hours - evocative objects designed at once to inscribe social status, to strengthen religious commitment, to entertain, to stimulate emotions, and to encourage discomfiting self-scrutiny. Studying their kaleidoscopically strange, moving, humorous, disturbing, and imaginative pages not only enables a window into relationships among bodies, images, and things in the past but also in our own internet era, where surprisingly popular memes drawn from such manuscripts constitute a part of our own visual culture.

In negotiating theoretical, post-theoretical, and historical concerns, this book aims to contribute to an emerging and much-needed intersectional social history of art. It will be of interest to scholars working in art history, medieval studies, Renaissance/early modern studies, gender studies, the history of the book, posthumanism, aesthetics, and the body.

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À propos de l'auteur

Sherry C. M. Lindquist is Professor of Art History at Western Illinois University. Her publications include Agency, Visuality and Society at the Chartreuse de Champmol (Routledge); The Meanings of Nudity in Medieval Art (Routledge); and Medieval Monsters: Terrors, Aliens, Wonders (co-authored with Asa Mittman).

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