With five critically acclaimed collections--Nights in the Iron Hotel (1983), Acrimony (1986), K.S. in Lakeland: New and Selected Poems (1990), Corona, Corona (1993), and Approximately Nowhere (1999)--Michael Hofmann has established himself as one of the truly original poetic voices of our time. His poetry, both public and personal, expansive and intimate, looks in three directions--toward the Germany of his birth and toward his adopted homelands, England and America--and his perspective on all three is surprising, alarmed, and alarming. Influenced by Robert Lowell and John Berryman (both of whom he has edited), Hofmann nevertheless cannot be pigeonholed in any given style or movement. Hofmann may be better known, especially in America, for his acclaimed translations than for his own poetry, but this volume promises to introduce a broad new readership to a keenly intelligent, formally rigorous, emotionally unsparing poetry that feels entirely fresh.
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Michael Hofmann is a poet and frequent contributor to The New York Times Book Review, and is widely regarded as one of the world's foremost translators of works from German to English. His original poetry collections include One Lark, One Horse and Where Have You Been? He has translated Willy Peter Reese's A Stranger to Myself, Joseph Roth's The Tale of the 1002nd Night, Herta Muller's The Land of the Green Plums, and Gottfried Benn's Impromptus. Hofman lives in London.
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