A critical evaluation of Philip Roth--the first of its kind--that takes on the man, the myth, and the work
Philip Roth is one of the most renowned writers of our time. From his debut, Goodbye, Columbus, which won the National Book Award in 1960, and the explosion of Portnoy's Complaint in 1969 to his haunting reimagining of Anne Frank's story in The Ghost Writer ten years later and the series of masterworks starting in the mid-eighties--The Counterlife, Patrimony, Operation Shylock, Sabbath's Theater, American Pastoral, The Human Stain--Roth has produced some of the great American literature of the modern era. And yet there has been no major critical work about him until now.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Claudia Roth Pierpont is a staff writer for The New Yorker, where she has written about the arts for more than twenty years. The subjects of her articles have ranged from James Baldwin to Katharine Hepburn, from Machiavelli to Mae West. A collection of Pierpont's essays on women writers, Passionate Minds: Women Rewriting the World, was published in 2000 and was nominated for a National Book Critics Circle Award. Pierpont has been the recipient of a Whiting Writers' Award, a Guggenheim Fellowship, and a fellowship at the Cullman Center for Scholars and Writers of the New York Public Library. She has a PhD in Italian Renaissance art history from New York University. She lives in New York City.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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