The publication of James Merrill's Collected Poems is a landmark in the history of modern American literature. His First Poems—its sophistication and virtuosity were recognized at once—appeared half a century ago. Over the next five decades, Merrill's range broadened and his voice took on its characteristic richness. In book after book, his urbanity and wit, his intriguing images and paradoxes, shone with a rare brilliance. As he once told an interviewer, he "looked for English in its billiard-table sense—words that have been set spinning against their own gravity." But beneath their surface glamour, his poems were driven by an audacious imagination that continually sought to deepen and refine our perspectives on experience. Among other roles, he was one of the supreme love poets of the twentieth century. In delicate lyric or complex narrative, this book abounds with what he once called his "chronicles of love and loss." Like Wallace Stevens and W. H. Auden before him, Merrill sought to quicken the pulse of a poem in surprising and compelling ways—ways, indeed, that changed how we came to see our own lives. Years ago, the critic Helen Vendler spoke for others when she wrote of Merrill, "The time eventually comes, in a good poet's career, when readers actively wait for his books: to know that someone out there is writing down your century, your generation, your language, your life . . . He has become one of our indispensable poets."
This book brings together a remarkable body of work in an authoritative edition. From Merrill's privately printed book, The Black Swan, published in 1946, to his posthumous collection, A Scattering of Salts, which appeared in 1995, all of the poems he published are included, except for juvenalia and his epic, The Changing Light at Sandover. In addition, twenty-one of his translations (from Apollinaire, Montale, and Cavafy, among others) and forty-four of his previously uncollected poems (including those written in the last year of his life) are gathered here for the first time.
Collected Poems in the first volume in a series that will present all of James Merrill's work—his novels and plays, and his collected prose. Together, these volumes will testify to a monumental career that distinguished American literature in the late twentieth century and will continue to inspire readers and writers for years to come.
"The lyrics in Merrill's Collected Poems ought to last as long as people still care about poetry . . . poetry as alive as Merrill's is why people care." — David Gates, Newsweek
"Gigantic and ravishing . . . What this new volume provides, not without a small shock even to those familiar with Merrill, is the size and scope of his accomplishment . . . [A] monumental new collection." — Daniel Mendelsohn, New York Times Book Review
"Merrill . . . has been well-served by his executors and editors, McClatchy and Yenser . . . [In this collection] there's more than enough—in humor and sorrow, in tones of voice, in diction, in subjects--to keep one engaged for days, for years, for life. Reading Merrill is like reading Marvell or Keats or Dickinson; having his lines in mind is that unique thing, a voice that says somebody was here before." —Caroline Fraser, L.A. Times
"The Collected Poems . . . sensitively edited by JD McClatchy and Stephen Yenser . . . represents a major literary event." — Edmund White, Out Magazine
"If you like poetry composed (in Hopkin's words) in 'the current language heightened,' Merrill will please you . . . If you have despaired of finding words subtle enough for all that goes on between lovers over time; if you are delighted by poetic invention, Merrill will please you. If you are eager for a window into the pangs and pleasures of gay existence, or if you want to know what a person of ever-attentive receptivity might have seen between 1926 and 1995, Merrill will please you. Above all, if you value lightness of touch, Merrill will please you . . . The weight of the wreath is heavy on all poets, but Merrill rarely allowed the weight to be felt, or the wrinkles to show." — Helen Vendler, The New Yorker
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Vendeur : ThriftBooks-Atlanta, AUSTELL, GA, Etats-Unis
Hardcover. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G0375411399I4N00
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Vendeur : ThriftBooks-Atlanta, AUSTELL, GA, Etats-Unis
Hardcover. Etat : Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G0375411399I3N10
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Vendeur : ThriftBooks-Dallas, Dallas, TX, Etats-Unis
Hardcover. Etat : Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G0375411399I3N10
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Hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_457993432
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Vendeur : ebooks Keystone, Reading, PA, Etats-Unis
Etat : good. This book is in good condition, with minimal signs of wear and tear. N° de réf. du vendeur GWKV.0375411399.G
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Vendeur : Fahrenheit's Books, Denver, CO, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 2nd Printing. Second printing, hardcover, has a mild bow towards head of binding and spine, minor rubbing with a few faint smudges to covers, and very slight foxing starting to edges of text block, otherwise a solid, tight VG copy in a like unclipped dust jacket, which has very small bumps to spine ends and corners, mild rubbing with a hint of edgewear to the covers, and a shallow bow to spine panel. N° de réf. du vendeur 102401
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Vendeur : Andre Strong Bookseller, Blue Hill, ME, Etats-Unis
Hardcover. Etat : Very good +. Etat de la jaquette : very good. second printing. 6 x 10 in. Cloth boards. Condition is VERY GOOD+ ; covers clean, mildly sunned along lower edges. Binding tight, text spotless. DJ is VERY GOOD ; not clippped, clean, spine a bit sunned. Poet. Stax. N° de réf. du vendeur 50136
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Vendeur : Hackenberg Booksellers ABAA, El Cerrito, CA, Etats-Unis
Edited by J. D. McClatchy and Stephen Yenser. xx, 885p., dj, near fine. N° de réf. du vendeur 026891
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Vendeur : Dan Pope Books, West Hartford, CT, Etats-Unis
Hardcover. Etat : Fine. Etat de la jaquette : Fine. 1st Edition. New York: Knopf, 2001. First edition, second printing. Hardcover. Full black cloth with gilt and red spine lettering, purple endpapers, and silk ribbon page marker. Fine in a fine dust jacket. Publisher's original price intact on jacket flap ($40.00). Comes with archival-quality mylar dust jacket protector. Octavo, 885 pages, with index. Edited by J. D. McClatchy and Stephen Yenser. The definitive posthumous anthology of James Merrill s poetry, encompassing his life s work from early verse through his late masterworks, including "The Changing Light at Sandover." Merrill (1926- 1995), one of the most celebrated American poets of the twentieth century, won the Pulitzer Prize, two National Book Awards, and the Bollingen Prize, among many other honors. N° de réf. du vendeur Poetry-Rear-Merrill
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Vendeur : Jeff Hirsch Books, ABAA, Wadsworth, IL, Etats-Unis
First edition and first printing. Hardcover. 885 pages. A posthumously released comprehensive anthology of poems from this Pulitzer Prize and National Book Award winning author. A clean and tight very near fine copy in black cloth boards and in a very near fine dust jacket with special preview edition sticker to the rear flap. N° de réf. du vendeur 201584
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