Book by Silva Daniel
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
By coincidence Timothy Peel arrived in the village the same week in July as the stranger. He and his mother moved into a ramshackle cottage at the head of the tidal creek with her latest lover, a struggling playwright named Derek, who drank too much wine and detested children. The stranger arrived two days later, settling into the old foreman’s cottage just up the creek from the oyster farm.
Peel had little to do that summer—when Derek and his mother weren’t making clamorous love, they were taking inspirational forced marches along the cliffs—so he determined to find out exactly who the stranger was and what he was doing in Cornwall. Peel decided the best way to begin was to watch. Because he was eleven, and the only child of divorced parents, Peel was well schooled in the art of human observation and investigation. Like any good surveillance artist, he required a fixed post. He settled on his bedroom window, which had an unobstructed view over the creek. In the storage shed he found a pair of ancient Zeiss binoculars, and at the village store he purchased a small notebook and ballpoint pen for recording his watch report.
The first thing Peel noticed was that the stranger liked old objects. His car was a vintage MG roadster. Peel would watch from his window as the man hunched over the motor for hours at a time, his back poking from beneath the bonnet. A man of great concentration, Peel concluded. A man of great mental endurance.
After a month the stranger vanished. A few days passed, then a week, then a fortnight. Peel feared the stranger had spotted him and taken flight. Bored senseless without the routine of watching, Peel got into trouble. He was caught hurling a rock though the window of a tea shop in the village. Derek sentenced him to a week of solitary confinement in his bedroom.
But that evening Peel managed to slip out with his binoculars. He walked along the quay, past the stranger’s darkened cottage and the oyster farm, and stood at the point where the creek fed into the Helford River, watching the sailboats coming in with the tide. He spotted a ketch heading in under power. He raised the binoculars to his eyes and studied the figure standing at the wheel.
The stranger had come back to Port Navas.
The ketch was old and badly in need of restoration, and the stranger cared for it with the same devotion he had shown his fickle MG. He toiled for several hours each day: sanding, varnishing, painting, polishing brass, changing lines and canvas. When the weather was warm he would strip to the waist. Peel couldn’t help but compare the stranger’s body with Derek’s. Derek was soft and flabby; the stranger was compact and very hard, the kind of man you would quickly regret picking a fight with. By the end of August his skin had turned nearly as dark as the varnish he was so meticulously applying to the deck of the ketch.
He would disappear aboard the boat for days at a time. Peel had no way to follow him. He could only imagine where the stranger was going. Down the Helford to the sea? Around the Lizard to St. Michael’s Mount or Penzance? Maybe around the cape to St. Ives.
Then Peel hit upon another possibility. Cornwall was famous for its pirates; indeed, the region still had its fair share of smugglers. Perhaps the stranger was running the ketch out to sea to meet cargo vessels and ferry contraband to shore.
The next time the stranger returned from one of his voyages, Peel stood a strict watch in his window, hoping to catch him in the act of removing contraband from the boat. But as he leaped from the prow of the ketch onto the quay, he had nothing in his hands but a canvas rucksack and plastic rubbish bag.
The stranger sailed for pleasure, not profit.
Peel took out his notebook and drew a line through the word smuggler.
The large parcel arrived the first week of September, a flat wooden crate, nearly as big as a barn door. It came in a van from London, accompanied by an agitated man in pinstripes. The stranger’s days immediately assumed a reverse rhythm. At night the top floor of the cottage burned with light—not normal light, Peel observed, but a very clear white light. In the mornings, when Peel left home for school, he would see the stranger heading down the creek in the ketch, or working on his MG, or setting off in a pair of battered hiking boots to pound the footpaths of the Helford Passage. Peel supposed he slept afternoons, though he seemed like a man who could go a long time without rest.
Peel wondered what the stranger was doing all night. Late one evening he decided to have a closer look. He pulled on a sweater and coat and slipped out of the cottage without telling his mother. He stood on the quay. looking up at the stranger’s cottage. The windows were open; a sharp odor hung on the air, something between rubbing alcohol and petrol. He could also hear music of some sort—singing, opera perhaps.
The chief of Israeli Intelligence recalls two former agents in order to eliminate a top Palestinian terrorist. One agent is now an art restorer, the other a fashion model. Ten years before, on a mission to destroy the Arab Black September group, they were briefly lovers. Now their pasts and their enemies come back to haunt them, as the terrorist murders ambassadors in Paris and Holland. Will the Israeli-Palestinian peace talks be his next target? And what motivates the terrorist? Is it politics, or is it possibly personal? Set mainly in London, but with forays into Paris, Amsterdam, the Middle East and north America, this thriller has all Daniel Silva's hallmarks of strong characters, unusual backgrounds and a page-turning narrative.
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Vendeur : The Yard Sale Store, Narrowsburg, NY, Etats-Unis
AUDIO CASSETTE. Etat : Very Good. 4 BRAND NEW AUDIO CASSETTE EDITION. NEW AUDIO CASSETTES SEALED in the original box. GIFT QUALITY. Just a bit of shelf wear to the shrink wrap. Enjoy this AUDIO CASSETTE edition *** brand-new ***for your home and library ***the most user friendly way to enjoy the spoken performance. N° de réf. du vendeur 111211121112744
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Vendeur : Black Cat Hill Books, Oregon City, OR, Etats-Unis
Audio Cassette. Four Audio Cassette Tapes in "Like New" condition, housed in a black plastic tray, which is also in excellent condition. These are housed in a color cardstock slip case which shows the former owner's name to the exterior, a little mild rubbing to the corner tips and shows a crease on one side panel from being "crushed" (About 'Very Good'). Overall, Very Good+. Read by Jason Culp. Four Cassettes. Six hours. Audio Book: Cassette Tapes. This book is chronologically the first in the Gabriel Allon series. Here is the chronological order: 1. The Kill Artist; 2. The English Assassin; 3. The Confessor; 4. Death in Venice; 5. Prince of Fire; 6. The Messenger. In this book, Gabriel, a former assassin for Israel's foreign intelligence service, the Mossad, retired after the murders of his wife and son to lead a quiet life as an art restorer (one who fixes the wounded past). Gabriel's ex-boss, Ari Shamron, an Israeli spymaster (think George Smiley, but more treacherous), convinces Gabriel to leave his sheltered hermitage to hunt down Tariq, the assassin who killed Gabriel's family, before he can kill again. In an exquisitely wrought plot of treachery and counter-treachery, Silva explores the Palestinian-Israeli conflict from many, many angles. Silva's spies are not gentlemen, and this is no gentlemen's game. This is hard and dirty intelligence work by one of the hardest and dirtiest intelligence services on the planet. The Mossad is charged with keeping tiny Israel's formidable opponents at bay, and you don't do that by playing 'nice'. Silva's plotting is as intricate as a chess game, albeit a game where each of the chess pieces takes on a life of its own. One feels when reading Silva's books that the book is built to elucidate several characters, not merely one central character. N° de réf. du vendeur 56933
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