A Way From Home - Couverture rigide

Clark, Nancy

Couverture rigide

ISBN 10 : 0375423281 ISBN 13 : 9780375423284

Editeur : Alfred a Knopf Inc, 2005

Synopsis

“Jane Austen is alive,” proclaimed The Christian Science Monitor upon the publication of Nancy Clark’s first novel, The Hills at Home, about a beleaguered WASP family. “Complex and extraordinary . . . The book succeeds brilliantly,” The New York Times Book Review announced. Clark’s new novel, a tale of Americans in and out of love abroad, confirms her dazzling storytelling gifts, taking up the adventures of a vexed and charming branch of the beloved Hill clan.

It is the summer of 1992, and the Lowes are living in a castle in Prague. While Alden manages a staff at the Czech Ministry of Finance and his increasingly disaffected wife, Becky, advises local woman entrepreneurs, their precocious daughter, Julie, is busy not learning Czech at Prague’s International Youth school–intent, instead, on pursuing her father’s right-hand man. This already precarious family life is suddenly upended when Becky flees south to Gaddafi’s Libya; there, at long last, she reunites with her mysterious William, the man who held her heart even as she married Alden twenty-one years ago.

Clark delights us not only with an unexpected middle-aged romance, but also with a dazzling canvas of place and history. She illustrates, from the crooked streets of Prague to the harsh Libyan desert, the myriad ways in which history–both global and personal––can shape our lives. How can the love-struck couple in Libya cope with the social implications of Becky’s flight? What happens to the doting husband and venturesome daughter in the mother’s sudden absence? Clark’s captivating answer is a witty, exuberant comedy about the waywardness of devotion and the elusive meaning of home.

A propos du livre

Extrait

“Becky? Where are you? Well, don’t move. Just stay where you are or we’ll lose one another,” Alden called out.

But Becky, wherever she had settled with an English magazine or her tapestry frame or the briefcase full of paperwork she had brought home for the weekend, would never hear him through the thick stone walls of the some-centuries-old castle in which they had been living for the past two years. Alden spoke aloud to keep his spirits up, or, as he scarcely admitted to himself, to keep the spirits at bay as he paced the Great Hall through the darkness the wan beam thrown by his flash- light only cleaved into blacker halves. So halved, the deepened gloom pressed twice as tenebrous on the left and on the right as Alden formed a sort of certainty that whatever lurked in the murk to his left lowered even more banefully than the second secret horror eeling through the utter inkiness to his right.

He really hadn’t much good to say for Czech electricity. These power cuts happened too frequently and too mysteriously on perfect summer evenings when the air was so stilly composed that the ruffle-edged moths could not catch and heave themselves aloft on the least breath of air. This summer of 1992 in Prague was running so dry that the dependent wings of the wandering moths scritched across the parched earth and pavement. Alden had heard them as he lay upon his deck chair out in the lightless belvedere and slowly determined what the so-quiet creep and onward scrabble must be, aided by the brief flare and flame of a new and antique Cartier, or Cartier-style, lighter. He was sorry to say he had taken up smoking again. Tobacco was freely offered and enjoyed in this city and in this culture, although not within the culture and the keep of Castle Fortune, and so he smoked his Silk Cuts outside on a belvedere chaise as a conflux of grounded moths crept past him heading straight, he didn’t doubt, for the dressing room wardrobe and his camel-hair blazer’s slim and tender lapels.

“Rats.” Svatopluk, Alden’s right-hand man down at the Ministry of Finances outpost office, had offered this explanation for the power failures after Alden complained he had been prevented from toasting a too-hard bagel the night before. He had been given a globe-shaped jar of spreading honey by a supplicant speculator which may or may not have been intended as a bribe. If so, Alden was touched but not in the least suborned by the delicacy of the gesture. It was basswood honey, the supplicant said, which was said to taste of mint, but Alden, assessing a flavor conveyed by a sticky fingertip, privately thought, Bitter.

“Rats?” Alden had asked. “Do you mean those wretched rats you people keep running round inside revolving drums down at the generating station have all keeled over from fatal heart attacks?”

“Sir? No, no sir, no. Ha-ha, sir. I refer to the rodents gnawing on the cable wires, which taste of salt because of a galvanizing technique once in vogue. It is a problem. In fact, it is a scandal. No, our generators are, for the most part, coal powered,” Alden had been patiently reminded by Svatopluk, to whom the task too often fell of reminding Mr. Lowe patiently or tactfully or preventively.

Ah yes, thought Alden, they burn that spongy, crumbling, pallid Bohemian coal they can’t give away to the rest of the world free with magic beans, for he knew all about the fledgling Republic’s production deficiencies and trade imbalances. Few in Prague knew, or needed to know, better than he about such matters. Alden had hardly had to invent the notion of rodent dynamos on his own. He wasn’t sure he hadn’t come across their like in some wretchedly reproduced précis of yet another hopeful, pleading prospectus.

And as for Svatopluk, what sort of a name was Svatopluk? Alden wondered. Was it the equivalent of having an assistant named Jethro or Clem, or Julian or Byron, or Bill or Bob? Ought he to speak of Svatopluk naturally or with a voice freighted with irony? Was a Svatopluk, in the language of the Ministry, to be listed among one’s assets?

Furthermore, Alden minded these spontaneous blackouts because they caused him to misstep, as he misstepped now, off the edge of the thick-as-curbstone carpet laid down the span of the Long Gallery. He lurched and cracked himself against great carved objects. Very superior cupboards, Becky said they were, whose very superior contents had long since vanished along with the last Family in residence; to Paris and to Toronto, the Field Marshal and the porcelain had gotten away. Alden reminded himself that these obstacles could not possibly have been shoved out of position during the day to sabotage his blind progress. An army would have to be summoned to shift the towering chests and to lift the vast rugs. Any coin lost once and found now beneath the taken-up carpet would bear the image of one Habsburg or another turned to display a nonpareil profile to the least possessor of the merest haler. No, Alden’s sense of displacement was existential.

He hoped Svatopluk wasn’t Czech for Marmaduke.

Besides, Alden ventured less frequently into this part of the castle, crossing the Long Gallery toward the doors to the Pastels Room and the Music Chamber and the Southerly Conservatory, which constituted Becky’s particular apartment. We must live in a castle as a castle is meant to be lived in, Becky had grandly pronounced at the start. They had all played at being grand in those early days. Becky was the Comtesse and Alden her Comte, and even Julie had consented to answer to Milady with fairly good grace since her folks had been so obliging about calling her Julie—when they weren’t calling her Milady. Becky, after a considering stroll through their new domain while consulting an ancient floor plan printed on the heavy sheet of paper that the leasing agent had folded around the castle’s several dozen tremendous and unmarked keys suspended from a chain, had assigned Alden the Great Hall and the Armaments Chamber and the library as his private suite of rooms. All the chilly, antlered places were to be his portion. Male and female, she created them, as Alden had tolerantly thought at the time but did not, of course, speak aloud. Julie, as maiden, was sent uncomplainingly to the Tower, where she could play her stereo as loudly as she had ever wished to until she annoyed even herself.

Becky had been so vital reinventing their world for them those early amazing weeks in Prague, when they had all been unfailingly charmed by every aspect of the My Bookhouse scenery on offer and by the magnificent accommodations and by the welcoming locals who were delighted in turn to greet such exotic yet reassuringly true-to-type Americans. Alden and Becky and Julie smiled with such beautiful teeth and took such long, confident strides with their long, confident legs. They glowed; their healthy skin, their cared-for hair, their precious metal watch faces and rings caught the sunlight and captured the eye. Every occasion, every new face, every attempt at conversation, seemed to call for generous outpourings of Alden’s Scotch or an ice-cold Coca-Cola. The man who came to prod and prove the castle’s several mysterious boilers became cordially drunk and had to return with his several supervisors and their several apprentices on another day. The Lowes had had no problem summoning workmen to puzzle over, on successive visits, the kitchen stove that shuddered and sparked but would not light; the pull-chain apparatus, which was meant to open and close a glass panel in the conservatory roof but had come crashing down when tugged; and the drains of every bathtub in every bathroom that, when the plugs were raised, caused the level of water standing in the tub to rise as a swampish and sedimented liquid swirled upward from the waste pipes. Even though they were raw newcomers to such a foreign land, the Lowes were quite sure this was not correct. These were not the antipodes, where the drains twirled wrong way round, and nowhere on earth did water flow upward.

But the Lowes had stood on their heads in order not to come across as conquerors, for they felt like conquerors, and how could they not be perceived as conquerors in Prague in the autumn of 1990? They handed round filled glasses as if to old friends as they presided with those wide-open smiles well fixed to the faces, and they listened to the elaborate explanations of why repairs could not easily or ever entirely successfully be effected. Alden and Becky nodded along, not really comprehending but coming to recognize the tone, or the tune, the strains of Czech bel can’t -o, as Alden allowed. Technicians never said, You’re all set, as they did in the States, those three little words that made his heart sing. Becky had failed to smile (her smiles favored other people, these days) at Alden’s little joke. Besides, her bathtub now drained if a lever was jiggled, and her conservatory window could be pushed open and nudged shut by a telescoping pole and hook contraption, and the spark-spitting oven had been superseded by a gleaming La Cornue work of highly functional kitchen art that Alden was not allowed to use. He clattered and spattered the surfaces on the cook’s day off, Becky said, and she had chosen the snow-white model, which particularly showed spills.

Alden had had no clue back then in the early days that Becky had begun as she meant to go on. Her pronouncements and crotchets, to which he had at first lightheartedly ascribed, as if to the evolving outlines of some new, diverting game being played out between them, had become, over time, codified into the strictures of a regime. The game had engaged him; the regime had removed, in turn, the die, the tiles, the recent run of aces from his hand. The particular moment when he ought to have spoken up had passed, recognized only too late among the shapes and shadows inhabiting the becloudments of subsequent developmen...

Revue de presse

"Entertains from beginning to end. . . . Clark is a superb storyteller" —The New York Times Book Review

“Brilliant, from the weekend idyll when a young Becky and William first fall in love to William's Libyan retreat ” —The Boston Globe

"Diamond-sharp social observations inspirit a literary romance. . . . Erudite evocations of time, people and place, all delivered in a dry, old-world voice." —Kirkus Reviews

“With great good humor and empathy, Nancy Clark creates a remarkable group of characters and conveys their real longing for home with all of its multiple meanings. . . . An exuberant romp.”—Roanoke Times

“Once again Clark demonstrates her consummate talent for yeasty prose that rises to every occasion . . . loaded with original takes on universal human experiences.” —Bookpage

Détails de l'édition

• Éditeur: Alfred a Knopf Inc
• Date d'édition: 2005
• Langue: anglais
• ISBN 10: 0375423281
• ISBN 13: 9780375423284
• Reliure: Relié
• Nombre de pages: 352
• Coordonnées du fabricant: non disponible
• Personne responsable: non disponible