An extraordinary literary artist offers a powerful vision of tomorrow in a world barely touched by the passing centuries.
There is life in the Nekropolis -- but no future. Hariba spent her youth here, among the exquisite paper flower wreaths her mother meticulously constructed, playing contentedly with other children around the rows and rows of old buildings housing the crumbling bones of the dead. But when an older brother's criminal indiscretion robbed Hariba of any possibility of a husband, she agreed to have herself "jessed" -- submitting to the technoblological process designed to render her docile and subservient to whomever has purchased her service. In this way, Hariba could escape the confinement of her surroundings and hopelessness of her fate...though she could never again be truly free.
At the age of twenty-six, she enters the house of a wealthy merchant as an indentured servant. It is a new world for Hariba, filled with many wondrous objects and strange amusements that she has never before seen. But there is one thing in this place that greatly disturbs her: a harni, an intelligent, machine-bred creature of flesh and organs, a perfect replica of a man. A menial, like herself, it calls itself "Akhmim." And it unsettles Hariba with its beauty, its naïve, inappropriate tenderness -- and with prying, unanswerable questions like "Why are you sad?"
But slowly, almost imperceptibly, Hariba's revulsion metamorphoses into acceptance, and then into something much more. For Akhmim, like her, is a nonentity at the very bottom of the social order -- and the harni's gentle concern for her is real. And if she shuts out the accusing voices in her head, Hariba can even forget that Akhmim is less than human.
Dangerous thoughts, however, must inevitably lead to dangerous actions -- and outlaw emotions can breed an unholy love defying the strictly enforced edicts of God and man. Soon feelings Hariba can neither control nor ignore have her contemplating the unthinkable -- escape. But the "jessed" abandon their masters at the risk of sickness, pain, imprisonment, and perhaps even death. And there is no safe haven for a rebel servant and a runaway A.I. -- not even within the shunned, technology-barren bowels of the city of the dead.
Hugo Award winner Maureen F. McHugh has written a provocative, powerfully dazzling novel of repression and reawakening -- and a unique, profoundly moving love storythat stands alongside the acclaimed works of Ursula K. Le Guin and Margaret Atwood.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Maureen F. McHugh is the author of the critically acclaimed novels Mission Child, China Mountain Zhang -- which was a New York Times Notable Book, nominated for both a Hugo and a Nebula Award, and winner of the Locus Readers' Poll for Best First Novel, a James Tiptree Award, and a Lambda Award -- and Half the Day is Night. She received the Hugo for her short story "The Lincoln Train," and other stories have appeared in several publications and anthologies, including in the highly regarded collection Starlight 1. Ms. McHugh lives in Ohio with her husband and stepson.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : ThriftBooks-Atlanta, AUSTELL, GA, Etats-Unis
Hardcover. Etat : Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G0380974576I4N10
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Hardcover. Etat : Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G0380974576I5N00
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Vendeur : World of Books (was SecondSale), Montgomery, IL, Etats-Unis
Hardback. Etat : Very Good. An extraordinary literary artist offers a powerful vision of tomorrow in a world barely touched by the passing centuries. There is life in the Nekropolis -- but no future. Hariba spent her youth here, among the exquisite paper flower wreaths her mother meticulously constructed, playing contentedly with other children around the rows and rows of old buildings housing the crumbling bones of the dead. But when an older brother's criminal indiscretion robbed Hariba of any possibility of a husband, she agreed to have herself "jessed" -- submitting to the technoblological process designed to render her docile and subservient to whomever has purchased her service. In this way, Hariba could escape the confinement of her surroundings and hopelessness of her fate.though she could never again be truly free. At the age of twenty-six, she enters the house of a wealthy merchant as an indentured servant. It is a new world for Hariba, filled with many wondrous objects and strange amusements that she has never before seen. But there is one thing in this place that greatly disturbs her: a harni, an intelligent, machine-bred creature of flesh and organs, a perfect replica of a man. A menial, like herself, it calls itself "Akhmim." And it unsettles Hariba with its beauty, its naïve, inappropriate tenderness -- and with prying, unanswerable questions like "Why are you sad?" But slowly, almost imperceptibly, Hariba's revulsion metamorphoses into acceptance, and then into something much more. For Akhmim, like her, is a nonentity at the very bottom of the social order -- and the harni's gentle concern for her is real. And if she shuts out the accusing voices in her head, Hariba can even forget that Akhmim is less than human. Dangerous thoughts, however, must inevitably lead to dangerous actions -- and outlaw emotions can breed an unholy love defying the strictly enforced edicts of God and man. Soon feelings Hariba can neither control nor ignore have her contemplating the unthinkable -- escape. But the "jessed" abandon their masters at the risk of sickness, pain, imprisonment, and perhaps even death. And there is no safe haven for a rebel servant and a runaway A.I. -- not even within the shunned, technology-barren bowels of the city of the dead. Hugo Award winner Maureen F. McHugh has written a provocative, powerfully dazzling novel of repression and reawakening -- and a unique, profoundly moving love storythat stands alongside the acclaimed works of Ursula K. Le Guin and Margaret Atwood. N° de réf. du vendeur 00094900172
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Vendeur : World of Books (was SecondSale), Montgomery, IL, Etats-Unis
Hardback. Etat : Fair. An extraordinary literary artist offers a powerful vision of tomorrow in a world barely touched by the passing centuries. There is life in the Nekropolis -- but no future. Hariba spent her youth here, among the exquisite paper flower wreaths her mother meticulously constructed, playing contentedly with other children around the rows and rows of old buildings housing the crumbling bones of the dead. But when an older brother's criminal indiscretion robbed Hariba of any possibility of a husband, she agreed to have herself "jessed" -- submitting to the technoblological process designed to render her docile and subservient to whomever has purchased her service. In this way, Hariba could escape the confinement of her surroundings and hopelessness of her fate.though she could never again be truly free. At the age of twenty-six, she enters the house of a wealthy merchant as an indentured servant. It is a new world for Hariba, filled with many wondrous objects and strange amusements that she has never before seen. But there is one thing in this place that greatly disturbs her: a harni, an intelligent, machine-bred creature of flesh and organs, a perfect replica of a man. A menial, like herself, it calls itself "Akhmim." And it unsettles Hariba with its beauty, its naïve, inappropriate tenderness -- and with prying, unanswerable questions like "Why are you sad?" But slowly, almost imperceptibly, Hariba's revulsion metamorphoses into acceptance, and then into something much more. For Akhmim, like her, is a nonentity at the very bottom of the social order -- and the harni's gentle concern for her is real. And if she shuts out the accusing voices in her head, Hariba can even forget that Akhmim is less than human. Dangerous thoughts, however, must inevitably lead to dangerous actions -- and outlaw emotions can breed an unholy love defying the strictly enforced edicts of God and man. Soon feelings Hariba can neither control nor ignore have her contemplating the unthinkable -- escape. But the "jessed" abandon their masters at the risk of sickness, pain, imprisonment, and perhaps even death. And there is no safe haven for a rebel servant and a runaway A.I. -- not even within the shunned, technology-barren bowels of the city of the dead. Hugo Award winner Maureen F. McHugh has written a provocative, powerfully dazzling novel of repression and reawakening -- and a unique, profoundly moving love storythat stands alongside the acclaimed works of Ursula K. Le Guin and Margaret Atwood. N° de réf. du vendeur 00089080762
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Vendeur : World of Books Inc, Montgomery, IL, Etats-Unis
Hardback. Etat : Very Good. An extraordinary literary artist offers a powerful vision of tomorrow in a world barely touched by the passing centuries. There is life in the Nekropolis -- but no future. Hariba spent her youth here, among the exquisite paper flower wreaths her mother meticulously constructed, playing contentedly with other children around the rows and rows of old buildings housing the crumbling bones of the dead. But when an older brother's criminal indiscretion robbed Hariba of any possibility of a husband, she agreed to have herself "jessed" -- submitting to the technoblological process designed to render her docile and subservient to whomever has purchased her service. In this way, Hariba could escape the confinement of her surroundings and hopelessness of her fate.though she could never again be truly free. At the age of twenty-six, she enters the house of a wealthy merchant as an indentured servant. It is a new world for Hariba, filled with many wondrous objects and strange amusements that she has never before seen. But there is one thing in this place that greatly disturbs her: a harni, an intelligent, machine-bred creature of flesh and organs, a perfect replica of a man. A menial, like herself, it calls itself "Akhmim." And it unsettles Hariba with its beauty, its naïve, inappropriate tenderness -- and with prying, unanswerable questions like "Why are you sad?" But slowly, almost imperceptibly, Hariba's revulsion metamorphoses into acceptance, and then into something much more. For Akhmim, like her, is a nonentity at the very bottom of the social order -- and the harni's gentle concern for her is real. And if she shuts out the accusing voices in her head, Hariba can even forget that Akhmim is less than human. Dangerous thoughts, however, must inevitably lead to dangerous actions -- and outlaw emotions can breed an unholy love defying the strictly enforced edicts of God and man. Soon feelings Hariba can neither control nor ignore have her contemplating the unthinkable -- escape. But the "jessed" abandon their masters at the risk of sickness, pain, imprisonment, and perhaps even death. And there is no safe haven for a rebel servant and a runaway A.I. -- not even within the shunned, technology-barren bowels of the city of the dead. Hugo Award winner Maureen F. McHugh has written a provocative, powerfully dazzling novel of repression and reawakening -- and a unique, profoundly moving love storythat stands alongside the acclaimed works of Ursula K. Le Guin and Margaret Atwood. N° de réf. du vendeur CIN0380974576VG
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Vendeur : World of Books Inc, Montgomery, IL, Etats-Unis
Hardback. Etat : Fair. An extraordinary literary artist offers a powerful vision of tomorrow in a world barely touched by the passing centuries. There is life in the Nekropolis -- but no future. Hariba spent her youth here, among the exquisite paper flower wreaths her mother meticulously constructed, playing contentedly with other children around the rows and rows of old buildings housing the crumbling bones of the dead. But when an older brother's criminal indiscretion robbed Hariba of any possibility of a husband, she agreed to have herself "jessed" -- submitting to the technoblological process designed to render her docile and subservient to whomever has purchased her service. In this way, Hariba could escape the confinement of her surroundings and hopelessness of her fate.though she could never again be truly free. At the age of twenty-six, she enters the house of a wealthy merchant as an indentured servant. It is a new world for Hariba, filled with many wondrous objects and strange amusements that she has never before seen. But there is one thing in this place that greatly disturbs her: a harni, an intelligent, machine-bred creature of flesh and organs, a perfect replica of a man. A menial, like herself, it calls itself "Akhmim." And it unsettles Hariba with its beauty, its naïve, inappropriate tenderness -- and with prying, unanswerable questions like "Why are you sad?" But slowly, almost imperceptibly, Hariba's revulsion metamorphoses into acceptance, and then into something much more. For Akhmim, like her, is a nonentity at the very bottom of the social order -- and the harni's gentle concern for her is real. And if she shuts out the accusing voices in her head, Hariba can even forget that Akhmim is less than human. Dangerous thoughts, however, must inevitably lead to dangerous actions -- and outlaw emotions can breed an unholy love defying the strictly enforced edicts of God and man. Soon feelings Hariba can neither control nor ignore have her contemplating the unthinkable -- escape. But the "jessed" abandon their masters at the risk of sickness, pain, imprisonment, and perhaps even death. And there is no safe haven for a rebel servant and a runaway A.I. -- not even within the shunned, technology-barren bowels of the city of the dead. Hugo Award winner Maureen F. McHugh has written a provocative, powerfully dazzling novel of repression and reawakening -- and a unique, profoundly moving love storythat stands alongside the acclaimed works of Ursula K. Le Guin and Margaret Atwood. N° de réf. du vendeur CIN0380974576A
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Vendeur : Ezekial Books, LLC, Manchester, NH, Etats-Unis
hardcover. Etat : Very Good. 100% Satisfaction Guaranteed. N° de réf. du vendeur 51UMMU000OK7
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Vendeur : Browse Awhile Books, Tipp City, OH, Etats-Unis
Soft cover. Etat : Near Fine. Uncorrected Advance Proof. SF novel. N° de réf. du vendeur 01009985
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Vendeur : Kayleighbug Books, IOBA, Cedar Grove, WV, Etats-Unis
Trade Paperback. Etat : Very Good. First Edition. No Stock Photos! We photograph every item. edge wear, some light spot staining to red paper wraps; Advance Uncorrected Proofs to the first edition. There is life in the Nekropolis -- but no future. Hariba spent her youth here, among the exquisite paper flower wreaths her mother meticulously constructed, playing contentedly with other children around the rows and rows of old buildings housing the crumbling bones of the dead. But when an older brother's criminal indiscretion robbed Hariba of any possibility of a husband, she agreed to have herself "jessed" -- submitting to the technoblological process designed to render her docile and subservient to whomever has purchased her service. In this way, Hariba could escape the confinement of her surroundings and hopelessness of her fate.though she could never again be truly free. N° de réf. du vendeur 036599
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Vendeur : Heartwood Books and Art, Fort Lauderdale, FL, Etats-Unis
Hardcover. Etat : As New. Etat de la jaquette : As New. Jeff Nishinaka(Jacket Illustration) (illustrateur). First Edition. Nekropolis by Maureen F. McHugh (First Edition) A pristine copy. A pristine dust jacket. Stated First Edition. First printing 1-10 number row. BOOK. N° de réf. du vendeur HCX11763-2
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