Book by Judy Chicago
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Through the Flower was my first book (I've since published nine others). I was inspired to write it by the writer and diarist, Anais Nin, who was a mentor to me in the early seventies. My hope was that it would aid young women artists in their development and that reading about my struggles might help them avoid some of the pitfalls that were so painful to me. I also hoped to spare them the anguish of "reinventing the wheel", which my studies in women's history had taught me was done again and again by women, specifically because we have not had access to our foremothers' experience and achievements-one consequence of the fact that we still learn both history and art history from a male-centered bias with insufficient inclusion of women's achievements.I must admit that when I re-read Through the Flower, I winced at some of the unabashed honesty; at the same time, I am glad that my youthful self had the courage to speak so directly about my life and work. I doubt that I could recapture the candor that allowed this book to reflect such unabashed confidence that the world would accept revelations so lacking in self-consciousness. And yet, it is precisely this lack that helps give the book its flavor, the flavor of the seventies, when so many of us believed that we could change the world for the better, a goal that has been-as one of my friends put it-"mugged by reality". And yet, better an overly idealistic hope that the world could be reshaped for the better than a cynical acceptance of the status quo. At least we tried-and I'm still trying. Perhaps I'm just too old now to change.Judy Chicago 2005
Judy Chicago is an artist, author, feminist, educator and intellectual whose career now spans over four decades. Her work and life are models for an enlarged definition of art, an expanded role for the artist, and a woman?s right to freedom of expression. Her influence both within and beyond the art community is attested to by her inclusion in hundreds of publications throughout the world. Her art has been frequently exhibited in the United States and internationally, and her ten published books have brought her art and philosophy to readers around the world. Chicago lives in Belen, New Mexico with her husband, photographer Donald Woodman and their beloved bevy of cats. For more information, explore her website, www.judychicago.com.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Wonder Book, Frederick, MD, Etats-Unis
Etat : Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. N° de réf. du vendeur L19A-04215
Quantité disponible : 2 disponible(s)
Vendeur : Robinson Street Books, IOBA, Binghamton, NY, Etats-Unis
Paperback. Etat : Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDVery good front cover nicked, first edition. N° de réf. du vendeur bing91917132
Quantité disponible : 1 disponible(s)
Vendeur : Theoria Books, Andover, MA, Etats-Unis
Soft cover. Etat : Good. 1st Edition. 226 pp., xii. Stated: "Anchor Books edition, 1977" with ' $4.50 ' at top right front cover; apparent 2nd Printing, but First Paperback printing. 16 black and white illustrations between pp. 58-59; 16 between pp. 106-107; and 16 between pp. 154-155. Following the new Preface by Author and an Introduction by Anais Nin, Contents divided into 9 Chapters: (1) "My Childhood"; (2) "Making a Professional Life and an Equalized Relationship"; (3) "Back to Painting / Getting Married / The Women's Movement"; (4) "Fresno and the Women's Program"; (5) "Returning to Los Angeles"; (6) "Womanhouse / Performance"; (7) "Finding My Way and Discovering Women's Art"; (8) "Learning from th Past"; (9) "Getting It Together"; Appendix,Performance Pieces: "THREE WOMEN. Feminist Art Program Performance Group. Performed at Womanhouse by Nancy Youdelman, Shawnee Wollenman, and Jan Oxenberg", pp. 207-213; "Waiting" by Faith Wilding, pp. 213-217; "Ablutions" by Judy Chicago, Suzanne Lacy, Sandra Orgel, Aviva Ramani. Performed in Venice, California, in 1972", pp. 217-219; Index, pp. 220-226. Glossy white wrappers with Title, Subtitle and Author name lettering in black on top third front cover, above large illustration of a "flower" with pink petals and a large green center; $4.50 price printed at top right front cover. 15 pp (of 226 pp) have minimal fine point markings in margins or underlines (NO lengthy underlines in text); 9 pages were once dog-eared (NO impact on text: Now flat); superficial soft creases at top left rear cover corner (still square); small nicks to surface of corners at top right and bottom left spine ends: describes worse than it is, but there you have it. Binding strong (NO cracks); square corners (barest hint of outward curl at tip of lower right front cover corner; NO remainder marks. Inscribed and signed by Author at top left ffep/half-title page: "For David -- & common sense, Judy Chicago": someone has written "(David Park)" just below end of Title appearing on the page. (Google 'David Park' for reasonable evidence that the "David" is David Park). N° de réf. du vendeur 003143
Quantité disponible : 1 disponible(s)
Vendeur : Eastburn Books, Albany, OR, Etats-Unis
Soft cover. Etat : Good. No Jacket. 1st Edition. Good+ pictorial softcover. 1977. SIGNED/Inscribed by AUTHOR on half title page along with date of 1979. Mild to moderate edge wear and foxing to text edges. Previous owner's letter taped to rear inside cover. Light scrape down front text edge. Page faces all appear clean. Light corner crease to rear cover. Binding solid. 226 pp. Inscribed by Author(s). N° de réf. du vendeur L03462
Quantité disponible : 1 disponible(s)