Drop that quotation/sample/collage, sir! An enlightening, amusing, and frightening look at how the growth of intellectual property law is making us all less free to say and think what we want.In 1998 university professor and professional art prankster Kembrew McLeod trademarked the phrase "freedom of expression" as a joke, an amusing if dark way to comment on how intellectual property law is increasingly being used to fence off the culture and restrict the way we're allowed to express ideas. But what's happened in recent years to intellectual property law is no joke and has had repercussions on our culture and our everyday lives. The trend toward privatization of—melodies, genes, public space, the English language—means an inevitable clash of economic values against the value of free speech, creativity, and shared resources. Our irreplaceable cultural commons is being sectioned up and sold off to the highest bidders and the most aggressive litigators.In Freedom of Expression, Kembrew McLeod gathers topics as diverse as hip-hop music and digital sampling, the patenting of seeds and human genes, folk and blues music, visual collage art, electronic voting, the Internet and computer software. In doing so, he connects this rapidly accelerating push to pin down everything as a piece of private property to its effects on music, art and science. In much the same way Eric Schlosser's Fast Food Nation tied together disparate topics to paint an alarming picture of the food industry, and written in a witty style that brings to mind media pranksters like Al Franken, Ken Kesey, and Abbie Hoffman, Freedom of Expression uses intellectual property law as the focal point to show how economic concerns are seriously eroding creativity and free speech. It’s later than we know.
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Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Etat : Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 51479855-6
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Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Etat : Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 51474188-6
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Vendeur : Wonder Book, Frederick, MD, Etats-Unis
Etat : Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included. N° de réf. du vendeur X11B-00863
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Vendeur : ThriftBooks-Dallas, Dallas, TX, Etats-Unis
Hardcover. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G0385513259I4N00
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Vendeur : Taos Books, Santa Fe, NM, Etats-Unis
Hard Cover. Etat : Fine. Etat de la jaquette : Fine. First Printing. Near Fine/Fine condition; apparently unread first print copy, minor bump to bottom tip of front board only defect, new looking copy, 375 pages. N° de réf. du vendeur 22433
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Vendeur : Hourglass Books, Vancouver, BC, Canada
Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine, Not Price Clipped. American First. Complete number line from 1 to 10; minor wear; otherwise a solid, clean copy with no marking or underlining; collectible condition. Book. N° de réf. du vendeur 020856
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Vendeur : The Haunted Bookshop, LLC, Iowa City, IA, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. N° de réf. du vendeur 045343
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Vendeur : gigabooks, Spokane, WA, Etats-Unis
Trade Paperback. Etat : Very Good. First Edition. Trade Paperback - VG - Book is clean and tight with light wear - ARC - First Edition - 374 pages. N° de réf. du vendeur 237057
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Vendeur : Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, Etats-Unis
Softcover. Etat : Fine. First edition. Advance reading copy. Wrappers. Fine. N° de réf. du vendeur 379879
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Vendeur : Hennessey + Ingalls, Los Angeles, CA, Etats-Unis
Hardcover. Etat : Used - Very Good. Drop that quotation/sample/collage, sir! An enlightening, amusing, and frightening look at how the growth of intellectual property law is making us all less free to say and think what we want. In 1998 university professor and professional art prankster Kembrew McLeod trademarked the phrase 'freedom of expression' as a joke, an amusing if dark way to comment on how intellectual property law is increasingly being used to fence off the culture and restrict the way we're allowed to express ideas. But what's happened in recent years to intellectual property law is no joke and has had repercussions on our culture and our everyday lives. The trend toward privatization of--melodies, genes, public space, the English language--means an inevitable clash of economic values against the value of free speech, creativity, and shared resources. Our irreplaceable cultural commons is being sectioned up and sold off to the highest bidders and the most aggressive litigators. In 'Freedom of Expression(R),' Kembrew McLeod gathers topics as diverse as hip-hop music and digital sampling, the patenting of seeds and human genes, folk and blues music, visual collage art, electronic voting, the Internet and computer software. In doing so, he connects this rapidly accelerating push to pin down everything as a piece of private property to its effects on music, art and science. In much the same way Eric Schlosser's 'Fast Food Nation' tied together disparate topics to paint an alarming picture of the food industry, and written in a witty style that brings to mind media pranksters like Al Franken, Ken Kesey, and Abbie Hoffman, 'Freedom of Expression(R)' uses intellectual property law as the focal point toshow how economic concerns are seriously eroding creativity and free speech. It's later than we know. In 1998 the author, a professional prankster, trademarked the phrase 'freedom of expression' to show how the expression of ideas was being restricted. Now he uses intellectual property law as the focal point to show how economic concerns are seriously eroding creativity and free speech. N° de réf. du vendeur 20110219132411
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