Tattoo Machine: Tall Tales, True Stories, and My Life in Ink - Couverture rigide

Johnson, Jeff

Couverture rigide

ISBN 10 : 0385530528 ISBN 13 : 9780385530521

Editeur : Spiegel & Grau, 2009

Synopsis

Book by Johnson Jeff

A propos du livre

Extrait

Chapter One
Friday Is Monday

From the outside at 9:00 am the tattoo shop always reminds me of a fun-house curio shack lifted out of an old Eastern European circus. The inside is dark behind the permanently lit neon in the windows. There’s a sort of crouched, architectural discontinuity about the place, like an enormous mechanical bullfrog or a giant that just lumbered out of the fog. It seems truly weird just sitting there.

Like a lot of tattoo artists, I work weekends, so Friday is my Monday. I unlock the back door (the keys to the front were lost in the distant past and for purely superstitious reasons never replaced) and go in, careful not to spill my coffee into my bulging art bag, as I have so many times. After flicking on the overhead lights, I make my initial survey.

I can tell most of what transpired the night before without reading any of the notes left for me or looking through the incident log. The flash on the wall looks slightly out of place. My eyes wander over the surface and gradually focus on two slightly crooked sheets. That would be Neal’s work. I make a mental note to bitch him out later, the first on the day’s list. When the list grows to five, I usually start writing.

It’s a summer Friday, and the morning is already warm and bright, with only a high smear of cloud to give the sky some character. A total bloodbath is imminent. I glance at the clock and then go into the back to check the list Billy Jack no doubt left last night.

Billy generally takes stock at the end of his shift, as does Patrick. No matter how tired they are when they’re finally done, at the end of their shift (often four or five in the morning) they usually glance over the supplies so that I don’t encounter any surprises. I find that we’re well stocked, but there are some long-range-forecast items I need to deal with. Medium ink caps, thermo fax paper, and the hand wipes Patrick prefers. We must have had a run of fat people this week, because Billy has noted that we need to place an order for another two dozen XXL T-shirts. Our current screen-printing guy is good in that he lets me place orders of this size and delivers a quality product, but bad in that it often takes him a long time and many reminders to get him off his ass. Calling him is the first thing I do.

Next is my schedule, a red leather-bound book in my art bag. I fish it out and sit down at the desk to look it over. Booked solid. First up is this cryptic notation: “11:00 two girls, they have art, sm, 20, Kim(?).” Translation: two females between eighteen and twenty-one who already have their designs, which both described as “small,” although people generally have varying definitions of size, so I have to be prepared for anything. One of them left a twenty-dollar deposit at some point, and “Kim” may have had a fresh tongue piercing, a crappy cell phone, or a lisp, because there is some question as to whether it’s actually her name. It’s also possible that they were referred by a customer named Kim.

Next is one-thirty. Good. Time to ram down some food in there somewhere so I can drink when I get home. The one-thirty is Dan, the marine dude with the demolition sleeve. All the hard stuff is done on this one, and I’m just putting in the gray wash in the background. There is a notation, “11,” next to his name: the size of the shader I plan on using. So no huge planes left. So far so good.

Last appointment up, after the three hours slotted for Dan’s arm, is a bummer for two reasons. The day seems a little less bright. Notation: “4:30 Lindsey, finish, pd, rst.” This woman is a real crab cake, as I recall. I’m coloring in something that has already been paid for and can be certain of getting stiffed on the tip. The tattoo is also on her wrist. I try never to book similar body parts back to back, but here I’ve done just that, probably just to get this bitch out of my hair. So four hours plus spent hunched in the same position. Going to be murder on my lower back. Chances are very good the first two girls will be getting theirs in the center of their lower backs. I can only hope.

Out of curiosity I flip the page over to Saturday to make sure all the drawings are done and in place in my art bag’s active file. I notice that my two o’clock tomorrow is the aerobics-sculpted lesbian real estate developer getting the fire filled in on her absolutely bald crotch piece. I guess I’ll have to find time to beat off before that one. Professional detachment and all that. Sigh.

Next I check my supplies. Everything is set, but I decide to toss some extra liners in the ultrasonic cleaner just in case. One of my appointments could cancel and then I could swoop in on the easy walk-ins. I might be able to knock that last one out really fast, as I am already tempted to do, and then help Neal bleed some of the pressure out of the lobby so the night shifters don’t arrive to find themselves utterly buried. I check the supply of the enzyme we add to the ultrasonic fluid as I pour some in with my tubes. Good for another month. I add it to Billy’s long-range-forecast list.

It’s nine thirty. I go out front and light up a cigarette. Across the street there’s a flower-dappled beater of an RV parked in front of the East Bank Lofts. The flowers are the kind you put in the bottom of the bathtub for traction. There’s a woman on the roof of the RV who appears naked at first glance, except for a pink hat with a bright blue feather. I squint to get a better look. She’s dressed in tight tangerine. An interesting omen.

Rick, our crazy guy and my part-time assistant, got stabbed pretty bad in the lobby about three weeks ago. Cops, ambulances, the whole nine yards. He had to have surgery on his arm to reconnect some tendons and is just now coming around the shop again. I’ll have to find something for him to do before he rolls in around noon. Maybe I’ll set him up to spy on the tangerine woman, divine the meaning of the bathtub flowers, and generally discern her place in the cosmos. He loves that kind of thing.

I have the door propped open as I smoke, and the sunlight is streaming into the lobby. I check to see if the vast bloodstain in the gray carpet has dissipated. Amazingly, it appears to be almost gone. I guess our customers have been grinding away at it, tracking minute flecks of Rick’s dried blood around the city. I have no idea what that carpet is made of, but I’m repeatedly amazed at its stain-repelling resilience. We’re all glad Rick’s going to be OK physically. He’s a lunatic the shop has adopted and often believes he’s Batman. The long-term psychological effects of popping his Batman bubble remain to be seen.

At least that mess seems to have resolved itself for now. There are only two other potential crises demanding my attention, two hot topics to keep on my radar screen through the day. I’m sort of on the fence about both of them.

Two days ago I was sitting on my front porch smoking a cigarette when a bald, middle-aged man walked cautiously up the steps. He was wearing a beige jacket in the eighty-degree heat, and there was a kingly glint in his eyes. Cop.

“You Jeff Johnson?”

“Yep.” There was no point in denying it. I was sitting next to my own front door. I cast a mental net over the last few weeks to dredge up the trouble spots. Nothing to attract the attention of the police unless they were here about Rick.

He swept his jacket open to reveal a highly polished badge clipped to his belt.

“Federal marshal. You know Dave?”

Flashing the badge must have been a cue of some kind. Two groups of feds approached from either side. In less than ten seconds there were, count them, seven grim, sweaty, overdressed guys staring down at me. Three more waited at the foot of the stairs. Two more flanked the house.

While Detective Hard-ass interrogated me about Dave, an old friend of mine, the rest of them gave me that cop X-ray look, as though they could read my every thought and did not like what they were seeing. One big jackass kept his hand on his gun holster the entire time, in case I decided to mount an attack with my mechanical pencil. He really seemed eager to go Wyatt Earp, and in fact my mirror neurons were sending me the signal to take him first by jabbing him right in one of his muddy eyeballs.

When was the last time I saw Dave? What was he wearing? Who was he with? Did he have any facial hair? Of course, if I lied I was in “serious trouble.”

Naturally, their ham-fisted interrogation went nowhere. I didn’t have any answers, and I didn’t want to get drawn into any long-winded lines of speculation. Finally, Wyatt Earp chimed in with his bright idea.

“Why don’t you call him on his cell phone and set up a meeting, tell him you have a little something for him?” Like I was a drug dealer.

“Nope.” Man, that guy was fucking stupid. The baron in the beige jacket gave him a “shut up” look. Even high on smack and in full-blown zombie mode (an unfortunately likely scenario), poor Dave would have understood instantly that such a call meant that I was surrounded by an army of feds and that he’d better drop whatever he was doing and blow town. It struck me that these guys probably didn’t have a high success rate.

The head detective gave me his card, a surprisingly elegant Romanesque on textured taupe, and they split with a few parting glares, as if to say they would be back. I went inside and cracked a beer. It was early, but it was my Saturday, after all. In an ongoing attempt to stay off Al Gore’s shit list, I tossed the card into the recycling.

So as I stand in front of the shop on this bright Friday morning, smoking and casually studying bloodstains and the tangerine woman, I wonder if ...

Présentation de l'éditeur

A behind-the-scenes tour of the fabled tattoo industry on the arm of a swashbuckling insider and natural-born storyteller.

In the eighteen years he’s been a tattoo artist, Jeff Johnson has worked on everyone from nervous young coeds who turn green at the sight of his needle (chudders) to cocky would-be artists with fancy design degrees and weak constitutions (night hogs). As the proprietor of the legendary Sea Tramp Tattoo Company, he’s inked gangbangers, age-defying moms, and sociopaths; he’s defused brawls, tended delicate egos, learned to spot and avoid bunnies, and made it his mission to perpetrate ingenious and awful practical jokes on his fellow Trojans. He’s a true swamp panther: He knows all the tricks of the trade and, more important, he knows how to keep his legendary shop in Portland, Oregon, from becoming the scene of a nightly bloodbath.

In Tattoo Machine, Johnson lifts the curtain on an art form that has undergone rebirth and illuminates a world where art, drama, and commerce come together in highly entertaining theater. A tattoo shop is no longer a den of social outcasts and degenerates–it’s a workshop where committed and schooled artists who paint on living canvases develop close bonds and bitter rivalries, where tattoo legends and innovators are equally revered, and where the potential for disaster lurks in every corner.

Discussing everything from his days as an apprentice to some of the greatest inkers in the trade to the incredibly vivid nightly spectacular over which he presides, Jeff Johnson has written a sometimes riotous, sometimes harrowing, and always riveting memoir about what it means to be on the front lines of a global art revolution.

Détails de l'édition

• Éditeur: Spiegel & Grau
• Date d'édition: 2009
• Langue: anglais
• ISBN 10: 0385530528
• ISBN 13: 9780385530521
• Reliure: Relié
• Nombre de pages: 249
• Coordonnées du fabricant: non disponible
• Personne responsable: non disponible