Natural Order - Couverture rigide

Couverture rigide

ISBN 10 : 0385671539 ISBN 13 : 9780385671538

A propos du livre

Extrait

The buzzers keep me awake at night. That’s one thing that hasn’t gone—my hearing. Most everything else has faded. My taste. Vision. Even my voice, which comes out sounding like a scratch in the air.
 
The buzzers bleat in the hallway like robot sheep. We keep our strings close to us so they’re easy to reach and pull. Mine is attached to my purse. Before I go to bed, I always set my purse on my night table. During the day, when I’m in my room, I keep it on my bed. I always have it near. Sometimes, at night, when the sounds wake me, I’ll stare at my purse until I fall asleep again. It’s not a particularly nice purse. I don’t even think it’s real leather.
 
Most of the buzzers you hear aren’t for what you’d call real emergencies. Usually, someone needs an extra blanket. Or someone had a bad dream. More often than not, I think people pull the buzzer just to see how long it takes for someone to come to their room. I did that, the first few months after I came here. I’d pull the string and count the seconds, panic building.
 
17, 18, 19
 
What if I’d fallen out of bed? What if I was having a heart attack?
 
34, 35
 
What if I’d broken my hip?
 
42
 
What if I was dead?
 
Joyce Sparks.
 
My name is on the wall outside my room next to a straw hat with a yellow ribbon and a couple of glued-on daisies. The hat reminds me of my sister, Helen, although it isn’t hers. The social coordinator had us make our own hats for a tea party last spring. I don’t know why someone decided to hang my hat outside the door. I didn’t do a nice job of it. I’ve never been good at crafts. I don’t have the patience.
 
Ruth Schueller is the name on the other side of the door. She’s my roommate. She doesn’t have a hat next to her name because she wasn’t at the home in the spring. Instead, there’s a black-and-white photograph beside Ruth’s name, taken during her younger years. I hardly recognize her. Frightening how much damage time does to a face. Ruth is eighty-two. I turned eighty-six in July.
 
Ruth snores something awful. Not at night, usually. But during her daytime naps, she makes the most horrific sounds. She’ll fall asleep in her wheelchair and her head will fl op down like a dead weight. That’s when the snoring starts. Some days, it’s so loud I can’t concentrate on the television, even when the volume is turned up all the way—which it usually is. I’ll have to throw the Yellow Pages at her. (Never at her head, although I’ve been tempted. Only at her feet.) Then I’ll watch her out of the corner of my eye as she tries to sort things out. What was that noise? Where did this Yellow Pages come from?
 
Last week, I wheeled into the bathroom and found my hairbrush on the back of the toilet tank. This bothered me because I always keep my brush next to the faucet. I wheeled out of the bathroom, carrying my brush like a miniature sword.
 
“RUTH, DID YOU TOUCH THIS?”
 
She blinked back at me like I was talking another language.
 
“IT’S NOT RIGHT!” I said. “YOU CAN’T DO THINGS LIKE THAT!”
 
I don’t know why they can’t give me a roommate who can talk. Ruth is the second mute person I’ve had in the past year. She replaced Margaret, who was also soft in the head. She’d sit in her chair, knuckle deep inside a nostril for most of the day.
 
“If you find an escape route up there, let me know,” I’d say to her. Then Margaret’s liver shut down and she turned bronze. She lay in her bed, day after day, while a string of family members I’d never seen before came in and out of our room. They stood at her bedside, joisted fingers over their bellies, looking down at Margaret and shaking their heads as though this was one of the greatest tragedies they’d ever witnessed.
 
It’s not nice having someone die in your room. I’ll say that much. I woke up in the middle of the night, the sheep bleating in the distance, and even though I couldn’t see her, I knew Margaret was gone. There was a stillness in the air, a cold pocket. I thought about reaching for my purse, but then wondered if it mattered. I didn’t want to deal with the commotion that would follow: the lights turning on, whispers, white sheets. So I lay there with my hands at my sides and said a short prayer for Margaret. Although she couldn’t talk, I could tell by her eyes that she’d been a good person. Kind. Gentle.
 
She hadn’t deserved her fate. After a while, I fell back asleep. One week later, Ruth moved in. She’d been living on the second floor where the other soft-headed people are, but her family wanted her on my floor, the fourth. Did they think she’d be more stimulated up here?
 
I suppose it could be worse. There’s Mae MacKenzie down the hall, trapped with that horrible Dorothy Dawson. Dorothy keeps the divider curtains shut so the room is cut in half. She even safety-pinned the flaps together. She means business.
 
“She trapped herself in once,” Mae told me. “Kept pawing her way around, trying to find the opening. It was the best entertainment I’ve had here yet.”
 
Dorothy doesn’t talk to anyone. Mae says she’s a bitter woman. There’s been some talk of a husband who had wandering hands. A daughter into drugs.
 
 “Some people get a rough ride in life,” Mae said with a slow shake of her head.
 
I held my tongue.
 
The room that Ruth and I share is small, but big enough for two beds, two dressers and two wheelchairs, which I suppose is all the space that a couple of old ladies need. We’re on the south side of the building, so we don’t have the nice view of the lake. Instead, we face the street. I guess I can’t afford the lakeside setting. I’m guessing because I don’t know for certain. My niece, Marianne, handles my finances. She lives in Brampton. I call her once a month or so, but we don’t talk for more than five minutes. It always seems like someone is pulling on her arm. The last time I saw her was January. She showed up in my doorway wearing a dark brown blouse. She’d put on weight.
 
“Happy belated New Year, Aunt Joyce,” she said and sat down on the edge of my bed.
 
She looked like a bonbon left out on a hot day.
 
I shouldn’t be critical. That was Helen’s problem—always after Marianne and her son, Mark, to live up to some idea of perfection. Now look at them. Marianne is fat and divorced and Mark had a heart bypass two years ago. But I was grateful for Marianne’s company that day. I don’t have visitors, and living here makes you feel removed from the simplest things. I don’t remember the last time I went grocery shopping. Or to Sears. Or ate in a restaurant. Or visited the cemetery.
 
Sometimes, when I look around my room, I think, “This is the last place I’ll live.” When I go, they’ll be able to pack all my belongings in a cardboard box. I like to think I’m simplifying my life. Maybe it’s the other way around.
 
I’ve been here at Chestnut Park for six years. Marianne pressured me into it. I’d fallen in the bedroom in my senior’s apartment. I couldn’t be trusted on my own anymore.
 
“You’ve always taken care of others, Aunt Joyce,” she said to me. “Now it’s time to let people take care of you.”
 
I hadn’t taken care of anyone in my life. If anything, the opposite was true. But I was too tired and frightened to argue. My arm was stained with bruises and my ankle was swollen like a cantaloupe. I’d lain there, sprawled out between the bed and my dresser, for what seemed a lifetime. (They figured it was close to a day before the superintendent let himself in. Imagine my relief—and my shame when he found me on the floor, my legs wide open.)
 
I don’t remember much of the time in between. What I mean is, the time between my fall and the superintendent coming in. I was in and out of consciousness. I know I tried to reach for the telephone on the night table. And I remember seeing how dusty the floor was under my bed. Cobwebs everywhere. I was mortified. I wondered if these were the kinds of thoughts people had while they waited to die: the embarrassment of filth and the fear of discovery.
 
Mostly, I thought of my son.
 
There aren’t many bright spots in our days, but Hilda, the social coordinator, tries to keep us entertained. Every now and then, she brings in a children’s choir. Other times, there’s a tea social that only leaves us nostalgic for the lives we used to live. Once, Hilda brought in a dog. A black and brown beagle with a tail like a flagpole. I didn’t like the way it looked at me with its rheumy eyes and twitching snout. I refused to pet it.
 
“I didn’t know you were afraid of dogs,” Hilda said.
 
“I’m not,” I said. Then, because I knew that answer would likely lead to more questions, I said, “I’m not good with animals.”
 
I sit with three other people during meals: Irene, Henry and Jim. We don’t talk much. Mainly nudge and point to the things we need. Irene chews with her mouth open. Half the food tumbles out and down her bib and onto the table. It’s nauseating, and if I don’t keep my eyes down at all times, I lose my appetite. I told one of the nurses that I wanted to move to another table and she said she’d look into it, but I know that nothing will c...

Présentation de l'éditeur

“It’s beautiful,” I said, even though it wasn’t my style. It was cut glass and silver. Something a movie star might wear. Is this what my boy thought of me? I wondered as he fastened it around my neck. He called me Elizabeth Taylor and I laughed and laughed. I wore that necklace throughout the rest of the day. In spite of its garishness, I was surprised by how I felt: glamourous, special. I was out of my element amidst my kitchen cupboards and self-hemmed curtains. I almost believed in a version of myself that had long since faded away.
--From Natural Order by Brian Francis
 
Joyce Sparks has lived the whole of her 86 years in the small community of Balsden, Ontario. “There isn’t anything on earth you can’t find your own backyard,” her mother used to say, and Joyce has structured her life accordingly. Today, she occupies a bed in what she knows will be her final home, a shared room at Chestnut Park Nursing Home where she contemplates the bland streetscape through her window and tries not to be too gruff with the nurses.
 
This is not at all how Joyce expected her life to turn out. As a girl, she’d allowed herself to imagine a future of adventure in the arms of her friend Freddy Pender, whose chin bore a Kirk Douglas cleft and who danced the cha-cha divinely. Though troubled by the whispered assertions of her sister and friends that he was “fruity,” Joyce adored Freddy for all that was un-Balsden in his flamboyant ways.  When Freddy led the homecoming parade down the main street , his expertly twirled baton and outrageous white suit gleaming in the sun, Joyce fell head over heels in unrequited love.
 
Years later, after Freddy had left Balsden for an acting career in New York, Joyce married Charlie, a kind and reserved man who could hardly be less like Freddy. They married with little fanfare and she bore one son, John. Though she did love Charlie, Joyce often caught herself thinking about Freddy, buying Hollywood gossip magazines in hopes of catching a glimpse of his face. Meanwhile, she was growing increasingly alarmed about John’s preference for dolls and kitchen sets. She concealed the mounting signs that John was not a “normal” boy, even buying him a coveted doll if he promised to keep it a secret from Charlie.
 
News of Freddy finally arrived, and it was horrifying: he had killed himself, throwing himself into the sea from a cruise ship. “A mother always knows when something isn’t right with her son,” was Mrs. Pender’s steely utterance when Joyce paid her respects, cryptically alleging that Freddy’s homosexuality had led to his destruction. That night, Joyce threatened to take away John’s doll if he did not join the softball team. Convinced she had to protect John from himself, she set her small family on a narrow path bounded by secrecy and shame, which ultimately led to unimaginable loss.
 
Today, as her life ebbs away at Chestnut Park, Joyce ponders the terrible choices she made as a mother and wife and doubts that she can be forgiven, or that she deserves to be. Then a young nursing home volunteer named Timothy appears, so much like her long lost John. Might there be some grace ahead in Joyce’s life after all?
 
Voiced by an unforgettable and heartbreakingly flawed narrator, Natural Order is a masterpiece of empathy, a wry and tender depiction of the end-of-life remembrances and reconciliations that one might undertake when there is nothing more to lose, and no time to waste.

Détails de l'édition

• Langue: anglais
• ISBN 10: 0385671539
• ISBN 13: 9780385671538
• Reliure: Relié
• Nombre de pages: 384
• Coordonnées du fabricant: non disponible
• Personne responsable: non disponible