Book by Craven David
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In this first book-length study of Baranik's now-legendary artwork, author David Craven shows how Baranik's use of "socialist formalism" since the 1950s forces us to reconsider the standard accounts of U.S. postwar art. In paintings such as those that make up the Napalm Elegy series (1967–1974), Baranik used a language at once evocatively poetic and provocatively critical. His paintings have increasingly come to be considered among the most significant works of the New York School painting of the 1960s and 1970s, exemplifying what Theodor Adorno called "committed art."
The second half of the book is an anthology of Baranik's aphoristic essays on art and politics, which appeared in various art world publications over the last four decades and have been written in conjunction with political involvements that led Lucy Lippard to call Baranik "an activist par excellence."
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Vendeur : Colewood Books, San Francisco, CA, Etats-Unis
Hardcover. Etat : Very Good. 1st Edition. Signed 1st edition, Humanities Press hardcover w/ pictorial boards and no DJ (none issued), 1997. Book is VG+, w/ clean text, tight binding. Signed and inscribed by author on ffep. No DJ, none issued. Free delivery confirmation. Signed by Author(s). N° de réf. du vendeur SKU1018520
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Vendeur : Zubal-Books, Since 1961, Cleveland, OH, Etats-Unis
Etat : Fine. *Price HAS BEEN REDUCED by 10% until Tuesday, Sept. 8 (holiday sale item)* 211 pp., Hardcover, fine. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country. Photos available upon request. N° de réf. du vendeur ZB1293497
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Vendeur : BWS BKS, Ferndale, NY, Etats-Unis
Hardcover. Etat : New. N° de réf. du vendeur 60283
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