The art of counterpoint is the art of combining melodic lines. The essence of counterpoint, however, is something deeper than a process of manipulation. It is an ingredient of the inner vitality of music and is found in nearly all music. It is to an understanding of counterpoint as such that this book is directed.
In Counterpoint—for many years one of the most highly regarded texts in the field—the principles by which the contrapuntal element has operated in the works of composers of the eighteenth and nineteenth centures are presented. The counterpoint studied is the harmonic, rhythmic, instrumental style so well represented by the music of Bach. For it is this style that most of the composers who came after Bach, including those of our own time, have regarded as the ideal of contrapuntal technique. Piston's method in Counterpoint is to discover how music has been written rather than how it should be written. This book, in contrast to most traditional studies, states principles and gives rules that are based on actual observations of the practice of composers rather than those invented by the theorist. It offers examples drawn from the works of standard composers rather than those constructed by the author. The literature of the last three hundred years is examined to form the logical basis for this study. Throughout the book, exercises are provided that call for the writing of music and that are intended to clarify the principles under discussion.
Walter Piston, one of America's outstanding composers, created for this book an approach to the study of counterpoint that is stimulating and helpful to an understanding of the music of all times.
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Walter Piston was Professor of Music at Harvard University. An outstanding composer whose many works have been performed by leading orchestras and chamber ensembles both in the US and abroad, he received the Pulitzer Prize twice for distinguished musical composition.
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Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Mario Carmosino (illustrateur). A lovely crisp, clean hardcover in very good condition; faint foxing to top edge of textblock. Dust jacket in very good condition with closed tear at rear, now in protective mylar cover. Reprint of original 1947 edition. We are a brick-and-mortar store and sell our own inventory. N° de réf. du vendeur 067118
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Hardcover. Etat : Good. Etat de la jaquette : Good. Mario Carmosino (illustrateur). Wear commensurate with age and use. Former owner's name in ink on front jacket flap, otherwise clean and unmarked copy. Scuffing and smudging to boards and spine strip. Light bumping visible to corners of boards and ends of spine strip. Light chipping to jacket edges. This could have light cosmetic flaws, but remains in good condition. Dust jacket condition is Good. Secure packaging for safe delivery. N° de réf. du vendeur 1885675676
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Hardcover. Etat : Fine. Etat de la jaquette : Fine. Mario Carmosino (illustrateur). 1st Edition. # AS PICTURED # FIRST EDITION, Seventh Impression (undated, but c. 1970). An exceptionally tight, bright, clean copy in like, unclipped dustwrapper (original Borders' price sticker to rear - £15.95). Some very light dust-stains to top edge; otherwise both book and wrapper appear As New. A very nice copy. FREE P&P IN U.K. Non-UK buyers quoted additional Shipping before purchasing. (25% proceeds to the Motor Neurone Disease Association). N° de réf. du vendeur 1410
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