Edward Hopper, with the help of his wife, Jo, kept scrupulously detailed notes of all his artwork and business transactions in five accountants' ledger books. Here, in a selection of facsimile pages, we see the artist as businessman, recording everything from exhibitions and reviews to sales, commissions, and resales of his varied works. Hopper sketched most of his paintings and prints in these pages, in either pen and ink or pencil. Occasionally he added a printed reproduction as they became available. In addition to all business transactions associated with the work, Jo Hopper wrote descriptions of the colors and materials used, the subject matter, as well as personal anecdotes. In this intriguing volume, we are given a rare glimpse of this often-unseen aspect of an artist's life. We can see clearly the Hoppers' necessity and penchant for methodical record keeping and how they were able to achieve financial security through the artist's work.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Deborah Lyons is a former curator at the Whitney Museum of American Art and co-editor of Edward Hopper and the American Imagination (Norton). She lives in New Jersey.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Vendeur : Randall's Books, Cathedral City, CA, Etats-Unis
Hardcover. Etat : Fine. 1st Edition. Whitney Museum of American Art, New York, 1997. Hardcover, 103 pp. 1st edition, 1st printing (stated, plus full number line). Tall format. Edward Hopper's painting journals, in which he sketched out rough compositions of his paintings and made notations about color and light. With essays by Deborah Lyons andf art critic Brian O'Doherty. Foreword written by David A. Ross. Fine condition. No dust jacket, as issued. N° de réf. du vendeur ABE-1753559641642
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Vendeur : Optimon Books, Gravesend, KENT, Royaume-Uni
Hardcover. Etat : Good. 1st Edition. THERE ARE NO TARIFFS OR CUSTOMS DUTIES ON BOOKS. Edward Hopper, with the help of his wife, Jo, kept scrupulously detailed notes of all his artwork and business transactions in five accountants' ledger books. Here, in a selection of facsimile pages, we see the artist as businessman, recording everything from exhibitions and reviews to sales, commissions, and resales of his varied works. Hopper sketched most of his paintings and prints in these pages, in either pen and ink or pencil. Occasionally he added a printed reproduction as they became available. In addition to all business transactions associated with the work, Jo Hopper wrote descriptions of the colors and materials used, the subject matter, as well as personal anecdotes. In this intriguing volume, we are given a rare glimpse of this often-unseen aspect of an artist's life. We can see clearly the Hoppers' necessity and penchant for methodical record keeping and how they were able to achieve financial security through the artist's work. Fading to bottom of front cloth binding round spine. Otherwise book is in very good condition. No edition information but presumed first. N° de réf. du vendeur 421615
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Vendeur : A&M Bookstore / artecontemporanea, Milano, MI, Italie
Rilegato. Etat : come nuovo. Edward Hopper, with the help of his wife, Jo, kept scrupulously detailed notes of all his artwork and business transactions in five accountants' ledger books. Here, in a selection of facsimile pages, we see the artist as businessman, recording everything from exhibitions and reviews to sales, commissions, and resales of his varied works.Hopper sketched most of his paintings and prints in these pages, in either pen and ink or pencil. Occasionally he added a printed reproduction as they became available. In addition to all business transactions associated with the work, Jo Hopper wrote descriptions of the colors and materials used, the subject matter, as well as personal anecdotes. In this intriguing volume, we are given a rare glimpse of this often-unseen aspect of an artist's life. We can see clearly the Hoppers' necessity and penchant for methodical record keeping and how they were able to achieve financial security through the artist's work.Text: Ross David A., Oâ Doherty Brian et al.cm 20x31,5; pp. 104; BW ills.; hardcover. book. N° de réf. du vendeur AM-3241
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