This Norton Critical Edition looks at the full range of opinion and interpretation of this major play from its origins to the present day, from its “genius” (William Hazlitt) to its being a “hateful work, although Shakespearean throughout” (Samuel Taylor Coleridge), and beyond.
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Grace Ioppolo is the founder and director of the Henslowe-Alleyn Digitisation Project and is Professor of Shakespearean and Early Modern Drama in the Department of English and American Literature at the University of Reading, England. She is the author of Dramatists and Their Manuscripts in the Age of Shakespeare, Jonson, Middleton, and Heywood: Authorship, Authority, and the Playhouse (2006) and Revising Shakespeare (1991). She has edited Shakespeare's King Lear for Norton and has published widely on textual transmission, the history of the book and literary and historical manuscripts, most recently as the co-editor of Elizabeth I and the Culture of Writing (2007). She is the General Editor of The Collected Works of Thomas Heywood, forthcoming 2012-15.
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