A balanced selection of classic and contemporary works by prominent and less-well-known writers. From Joyce, Hemingway, O'Connor, Auden, Stevens, Dickinson, Faulkner, Hawthorne, and Whitman, to Sharon Olds, Nicholson Baker, Carolyn Forche, Paul Ruffin, Salman Rushdie, Agha Shahid Ali, Eamon Grennan, Linda Pastan, Li-Young Lee, Jimmy Santiago Baca, Simon Ortiz, Seamus Heaney, Karen Volkman, and David Ives. "Exploring Contexts" chapters provide a window into the broader literary world by placing the stories, poems, and plays in contextual groups, literary, authorial, cultural, historical, and social, illuminating connections among texts and the influences that shape them. "Critical Context" Casebooks, a new feature, serve as capstone chapters for each genre. Each includes one primary literary work followed by several professional critical responses, allowing students to explore one work in depth and to develop and expand their reading and analytical skills as they prepare to write about what they've read. Two student papers, one, a personal response essay, and the other, a research paper, round out the fiction casebook. Reading, Responding, Writing chapters introduce students to a genre and ways of exploring and writing about it. Understanding the Text chapters within each genre cover the elements of literature, providing students with the tools they need to consider various works. Evaluating chapters strengthen students' critical skills by guiding them in the difficult task of evaluating the strengths and weaknesses of literary works. A Reading More section offers an album of pieces for further reading. New Fiction Chapter: Cultural and Historical Context This new chapter focuses on F. Scott Fitzgerald's "Babylon Revisited" and discusses the historical events and cultural climate that provided the backdrop for Fitzgerald's fiction. No other anthology offers so deep a contextual analysis. New Drama Chapter: The Author's Work as Context: William Shakespeare Pushing students beyond their natural curiosity about Shakespeare's life, this new chapter calls attention to stylistic and thematic currents running through Shakespeare's work and encourages students to read Shakespeare actively and critically. Evaluation Chapters Revised "Evaluating" (fiction, poetry, drama) chapters have been reconceived to guide students toward determining and declaring the basis on which they are making their evaluative judgments. New Introduction: "What is Literature?" Alison Booth's insightful introduction discusses questions concerning the nature of "literature," the value of reading and writing about it, and the history of "the canon." New Selections Fourteen new stories, seventy-six new poems, and four new plays offer an unbeatable selection of both classic and contemporary works. Among the new selections are pieces by Carol Shields, Jhumpa Lahiri, Stephen Crane, Billy Collins, Lorrie Moore, James Joyce, Eavan Boland, Thom Gunn, Andrew Hudgins, Jorie Graham, Gail Mazur, August Wilson, Lillian Hellman, Paula Vogel.
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Jerome Beaty (Ph.D., Illinois) is Professor of English at Emory University. He is the author of Middlemarch: From Notebook to Novel and Misreading Jane Eyre and coeditor, with J. Paul Hunter, of The Norton Introduction to Literature.
Alison Booth is Associate Professor of English at the University of Virginia. Her research interests focus on Victorian literature and feminist theory and criticism, and her teaching at Virginia has ranged from "The Nineteenth-Century British novel" to "Utopias and Science Fiction." She is the author of Greatness Engendered: George Eliot and Virginia Woolf and editor of Famous Last Words: Changes in Gender and Narrative Closure.
J. Paul Hunter is Barbara E. and Richard J. Franke Professor Emeritus at the University of Chicago. He is the author of The Reluctant Pilgrim: Defoe’s Emblematic Method and Quest for Form in Robinson Crusoe; Occasional Form: Henry Fielding and the Chains of Circumstance; and Before Novels: The Cultural Contexts of Eighteenth-Century English Fiction. He is author of the first nine editions of The Norton Introduction to Poetry and the long-time co-editor of The Norton Introduction to Literature and New Worlds of Literature.
Kelly J. Mays has taught writing and literature courses for 25 years ― at Stanford University (where she earned her Ph.D.), in the Harvard Expository Writing Program, at New Mexico State University, and (since 2001) at the University of Nevada Las Vegas, where she is now an Associate Professor of English. A British literature specialist whose work has appeared in Victorian Studies, Victorian Poetry, Critical Inquiry, and other major scholarly journals, she is currently at work on a book exploring when and why nineteenth-century Britons began to label their age, their literature, and even themselves "Victorian."
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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