Renaissance England's great tragedy of intellectual overreaching is as relevant and unsettling today as it was when first performed at the end of the sixteenth century.
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David Scott Kastan is the George M. Bodman Professor Emeritus in the English Department of Yale University. Among his books are Shakespeare and the Shapes of Time (1982), Shakespeare after Theory (1999), Shakespeare and the Book (2001), A Will to Believe: Shakespeare and Religion (2014), and On Color (2018). He served as one of the general editors of the Arden Shakespeare (3rd Series), as the coeditor of the Bantam Shakespeare, and as series editor of the Barnes and Noble Shakespeare. He has produced important scholarly editions of Shakespeare’s Henry IV, Part One and Milton’s Paradise Lost, and he edited the five-volume Oxford Encyclopedia of British Literature. He is also responsible for a number of influential critical anthologies, including Staging the Renaissance (with Peter Stallybrass), The New History of Early English Drama (with John Cox), and A Companion to Shakespeare. He is now writing a book on Shakespeare and Rembrandt.
Renaissance England's great tragedy of intellectual overreaching is as relevant and unsettling today as it was when first performed at the end of the sixteenth century.
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