Outsider in Amsterdam - Couverture rigide

Van De Wetering, Janwillem

Couverture rigide

ISBN 10 : 0395207053 ISBN 13 : 9780395207055

Editeur : Houghton Mifflin, 1975

Synopsis

Book by Van de Wetering Janwillem

A propos du livre

Extrait

Grijpstra dug in his wallet and after a while his square fat fingers found his police identification with its blue and red stripes and photograph of a much younger Grijpstra dressed in uniform with the silver button of his rank on both shoulders.
         The dark man bent forward and read the card.
         “H. F. Grijpstra,” he read in a clear voice. “Adjutant. Municipal Police of Amsterdam.”
         He paused.
         “I have seen it. Please come in.”
         “Extraordinary,” de Gier thought. “Fascinating. That fellow actually read the card. It never happens. Grijpstra always shows his credit card and nobody ever notices anything. He could have shown a receipt from the electricity department and nobody would object, but this chap really reads the identification.”
         “Who are you?” Grijpstra was asking.
         “Jan Karel van Meteren,” the man said.
         They were in the corridor. There were three doors on the right, heavy oak doors. One of the doors was open and de Gier saw a bar and several young men with long hair and one elderly man with a bald head. Everybody was drinking beer. He had a glance of another young man behind the bar, dressed in a white T-shirt and decorated with a necklace of colored stones. Van Meteren was leading the way and they followed obediently. A staircase at the end of the corridor, again made of oak and recently polished. The floor of the corridor was covered with slabs of marble, cracked but very clean. Near the staircase Grijpstra noticed a niche with an upright Indian figure, made of bronze, life-size and with the right hand raised in a gesture of solemn greeting. Perhaps the gesture symbolized a blessing.
         They climbed the staircase and came into a large open space with a high ceiling made of iron, painted white and with a relief of garlands picked out in gold. This was the restaurant, occupying the entire floor. De Gier counted ten tables, six seating four persons and four seating six persons. Nearly every chair was taken.
         Grijpstra had stopped while their guide waited patiently. He was admiring a statue, standing on a stone platform attached to the wall. It was a statue of a female deity, performing a dance. The noble head on its slender neck seemed to contrast at first with the full breasts and the lewdly raised foot and Grijpstra was surprised that this naked sexual figure represented divinity and that he accepted her divinity. Undoubtedly the figure was free, quiet, detached and powerful. Superior. The thought flitted through his head. Superior. And free. Especially free. The thought disappeared as he walked on. De Gier had seen the statue but hadn’t allowed himself to be interested. He watched the guests without fixing any one of them in particular. A fixed stare is aggressive and invites attention. He didn’t want any attention and didn’t get any. The guests took him for another guest and thought he wanted to join them. One man took his hat and briefcase off a chair and made an inviting gesture. De Gier smiled and shook his head. He noticed that nobody seemed to talk, perhaps they were listening to the music that came from several stereo loudspeakers and was hitting the room in waves. De Gier liked the music; it reminded him of a performance in the Tropical Museum. The heavy rhythmical cords would come from a bass guitar and the dry sharp knocks from a set of drums; he imagined that the wheezing high notes setting the melody itself would be a flute, a bamboo flute probably.
         They were moving again, still following van Meteren. He led them through the restaurant and into a long narrow kitchen; through its windows there was a view of a garden full of red and pink rhododendrons. Two girls in jeans were busily stirring pots on a large stove. There was a sharp but not unpleasant smell of weird herbs. One of the girls wanted to object to the presence of strangers but stopped herself when she saw van Meteren.
         There was another narrow staircase and another corridor. White walls and several doors. They passed three doors and van Meteren opened the last, fourth, door.
         De Gier had a feeling that they had now penetrated into the secret part of the house; perhaps the silence of the corridor motivated the thought. The music of the restaurant didn’t reach this lofty level. Grijpstra entered the room and sighed. He saw the corpse and it moved, exactly as he had expected. It would be the draft, of course, all phenomena can be explained, but the slow ghastly movement chilled his spine. De Gier had now come in as well and watched silently. He noticed the small bare feet with their neat toes, pointed at the floor. His gaze wandered upward and recorded the protruding tongue and the wide open bulging blue eyes. A small corpse that had belonged to a living man. A little over five feet. A thin man, well dressed in khaki trousers of good cloth, nicely ironed, and a freshly laundered striped shirt. Some forty years old. Long thick dark red hair and a full mustache, hanging down at the corners by its own weight. De Gier moved closer and looked at the corpse’s wrist watch. He grunted. A very expensive watch, worth a small fortune. He couldn’t remember ever having seen a gold strap of such width and such quality.
         Both officers froze and quietly looked around, noticing as many details as possible. Almost automatically they had put their hands in their pockets. They had been trained in the same school. Hands in pockets cannot touch anything. This silent room was bound to be full of indications, traces, tracks.
         They saw a large room, again with a high ceiling but not made of cast iron but of plain sawn planks supported by heavy deal beams. There were several bookcases, well filled. There was a telephone in one of the bookcases, and an expensive TV set and a new complete encyclopedia. The furniture consisted of a low settee, a table and three chairs. There were some cushions on the floor, embroidered. The patterns were unusual. Eastern designs probably, de Gier thought. There was a typewriter on the table with a letter in it. De Gier bent down.

Dear Sirs:
I thank you for your letter of the tenth and have to inform you

No further text. The letterhead looked expensive. hindist society, the address and the telephone number.
         They saw a footstool, lying on its side, near the feet of the corpse. They saw a gramophone, a stack of records and a low bed covered with a batik cloth. The woven curtains were closed but allowed enough light to filter through to see every detail of the room.
         “What’s that?” Grijpstra asked, pointing at another low table, covered with red lacquer and serving as a seat for a fairly large statue, a rather fat bald-headed man sitting cross-legged and staring at them with glass eyes.
         “An altar of sorts,” de Gier answered after some thought. “That copper bowl filled with sand must be an incense burner, and the brown spots in the sand are burnt-out incense sticks.”
         Grijpstra raised an eyebrow. “You know a lot today.”
         “I visit museums,” de Gier said.
         Grijpstra sniffed.
         “Incense?” he asked.
         De Gier nodded. The heavy sweet smell gave him a headache.
         “Who discovered the body?” de Gier asked van Met-eren, who was standing near the door.
         “I did,” van Meteren answered. “I had to ask Piet something and as he didn’t answer when I knocked, I went back to my room. A little later I asked the girls in the kitchen if they had seen him and they said he had gone upstairs. I looked into the other rooms; one of them belongs to his mother, and another is the temple. He wasn’t there. I thought he might be asleep and knocked again and then I opened the door and saw him hanging there. I telephoned the police and waited for you downstairs. Nobody knows anything yet.”
         “Why didn’t you cut the rope?” asked de Gier.
         “He was dead.”
          “How did you know?”
          Van Meteren didn’t answer.
          “Are you a doctor?” Grijpstra asked.
          “No,” van Meteren said, “but I have seen a lot of corpses in my life. Piet is dead. Dead is dead. I could feel it. A dead body has no feel.”
          “Did you touch it?”
          Van Meteren shrugged his shoulders. “I don’t have to feel a corpse to know it is dead.”
      ...

Présentation de l'éditeur

On a quiet street in downtown Amsterdam, the founder of a new religious society/commune—a group that calls itself “Hindist” and mixes elements of various “Eastern” traditions—is found hanging from a ceiling beam. Detective-Adjutant Grijpstra and Sergeant de Gier of the Amsterdam police are sent to investigate what looks like a simple suicide, but they are immediately suspicious of the circumstances. 
 
This now-classic novel, first published in 1975, introduces Janwillem van de Wetering’s lovable Amsterdam cop duo of portly, worldly-wise Grijpstra and handsome, contemplative de Gier. With its unvarnished depiction of the legacy of Dutch colonialism and the darker facets of Amsterdam’s free drug culture, this excellent procedural asks the question of whether a murder may ever be justly committed.

Détails de l'édition

• Éditeur: Houghton Mifflin
• Date d'édition: 1975
• Langue: anglais
• ISBN 10: 0395207053
• ISBN 13: 9780395207055
• Reliure: Relié
• Coordonnées du fabricant: non disponible
• Personne responsable: non disponible