A brilliantly perceptive study of the most ambiguous and perpetually fascinating figure of the twentieth century European theatre" (Kenneth Tynan)
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Brecht's influence on the theatre may well be as powerful as Kafka's influence on the novel and this study of Brecht's life and work was unanimously well received when first published just after the writer's death in 1959. This book portrays the paradox of a man whose work was admired on the Western side of the Iron Curtain despite ideological differences whilst in the East his artistic output was criticised but his communist ideas were welcomed. This authoritative text has stood the test of time
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Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Martin Esslin was the author of such ground-breaking classics as <I>The Theatre of the Absurd</I> and <I>Brecht: A Choice of Evils</I>, as well as <I>The Field of Drama</I> in which he focused on the semiology of drama. He joined the BBC in 1940 and was head of Drama (Radio) from 1963-1977. He published many collections of essays including <I>Brief Chronicles: Essays on Modern Drama</I> and <I>Mediations: Essays on Brecht, Beckett and the Media</I>. His critical articles used to appear regularly in <I>Plays and Players</I>, <I>Encounters </I>and many other periodicals. He was also a well-known translator of plays, particularly by German-speaking dramatists. He died in 2012.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Vendeur : WorldofBooks, Goring-By-Sea, WS, Royaume-Uni
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Vendeur : Better World Books Ltd, Dunfermline, Royaume-Uni
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Vendeur : Better World Books Ltd, Dunfermline, Royaume-Uni
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