The Twentieth-Century Performance Reader provides a pioneering introduction to all types of performance (dance, drama, music, theatre and live art) through the writings of forty-two practitioners, critics and theorists which together reaffirm performance as a discipline in its own terms.
Organised alphabetically, rather than chronologically or according to art form, this reader invited cross-disciplinary comparisons. Each piece is fully supplemented by a contextual summary, detailed cross-references and suggestions for further reading. The editors' introductory essay provides an invaluable analysis of the field, and the definitive bibliography offers an essential reference source.
The reader, which makes it possible to compare major writings on all types of performance in one volume, will be an essential sourcebook for researchers, practitioners and students. It will also be of interest to anyone who enjoys innovative live performance.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
The Twentieth-Century Performance Reader provides a pioneering introduction to all types of performance (dance, drama, music, theatre and live art) through the writings of forty-two practitioners, critics and theorists which together reaffirm performance as a discipline in its own terms.
Organised alphabetically, rather than chronologically or according to art form, this reader invited cross-disciplinary comparisons. Each piece is fully supplemented by a contextual summary, detailed cross-references and suggestions for further reading. The editors' introductory essay provides an invaluable analysis of the field, and the definitive bibliography offers an essential reference source.
The reader, which makes it possible to compare major writings on all types of performance in one volume, will be an essential sourcebook for researchers, practitioners and students. It will also be of interest to anyone who enjoys innovative live performance.
Michael Huxley is head of performing arts at De Montfort University, Leicester, and author of articles and reviews on dance and dance theatre. He is actively engaged in promoting the performing arts within higher education at degree level.
Noel Witts is head of postgraduate theatre studies at Hull University's Scarborough Campus, and also teaches postgraduate scenography at the London Institute, where he is visiting research fellow. He is the author of ten major documentaries on aspects of European theatre and has written arts programmes fore the Open University.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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