New Documentary: A Critical Introduction provides a comprehensive account of the last two decades of documentary filmmaking in Britain, the US and Europe. Stella Bruzzi's engaging textbook discusses key genres, filmmakers, and issues for the study of non-fiction film and television, including: * key texts such as the Zapruder film of Kennedy's assassination, Shoah , Hoop Dreams and Michael Apted's 7 Up series * documentary genres, from current affairs programming to 'fly on the wall' documentaries to 'reality tv' series * the work of documentary filmmakers such as Emile de Antonio, Fred Wiseman, Nick Broomfield, Molly Dineen and Paul Watson * the work of avant-garde filmmakers such as Chris Marker, Patrick Keiller, Peter Greenaway and Wim Wenders, whose films challenge conventions of documentary filmmaking * movies based on historical events, such as JFK and Nixon * faux documentaries such as This is Spinal Tap , Bob Roberts and Man Bites Dog Bruzzi shows how theories of documentary filmmaking can be applied to these contemporary texts and genres, and discusses the relationship between recent, innovative examples of the genre and the more established canon of documentar She also explores how issues of gender identity, queer theory, performance, 'race' and spectatorship are important to our understanding of contemporary documentary.
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Praise for New Documentary:
'It's refreshing to find a book that cuts through the tired old debates that have surrounded documentary film and television. It heralds a welcome new approach.'
Sight and Sound
'Documentary practice changes so fast that books on the subject are often out of date before they are published. Bruzzi's achievement is to have understood the genre as an activity based on performance rather than observation. This is a fresh perspective which illuminates the fundamental shifts that will continue to take place in the genre as it enters its second century.'
John Ellis, Professor of Media Arts, Royal Holloway, University of London
New Documentary provides a contemporary look at documentary and fresh and challenging ways of theorising the non-fiction film. As engaging as the original, this second edition features thorough updates to the existing chapters, as well as a brand new chapter on contemporary cinema release documentaries.
This new edition includes:
Additional interviews with influential practitioners, such as director Michael Apted and producer Stephen Lambert
Bruzzi shows how theories of documentary filmmaking can be applied to contemporary texts and genres, and discusses the relationship between recent, innovative examples of the genre and the more established canon of documentary.
Stella Bruzzi is Chair in Film and Television Studies at Warwick University. Her previous publications include the co-edited collection Fashion Cultures: Theories, Explorations and Analysis (2000, with Pamela Church Gibson) and Undressing Cinema: Clothing and Identity in the Movies (1997). Her most recent publication is Bringing Up Daddy: Fatherhood and Masculinity in Post-War Hollywood (2005).
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