This book examines the interrelationship of representational methods and material systems as fundamental drivers of the design process. Identifying four primary categories of representational logics - point, line, surface, mass - each category is illustrated through four precedent projects that deploy iterative material sensibilities. As a collection, this text provides a comprehensive categorization of the architectural design process.
Through the comprehensive definition of categorical typologies, it illustrates the collective capability of this conceptual methodology. By unpacking projects through their specific design devices, the collective analysis reveals the impact of material techniques and methods of representation as a generative tool. Broad in scope, it identifies and uniformly analyses some of the most significant projects from the last century, including:
Richly illustrated with consistent, clear and precise line drawings, the book presents a series of iconic precedents through a unique analytical and graphic sensibility.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Gail Peter Borden attended Rice University, simultaneously receiving Bachelor of Arts degrees (all cum laude) in fine arts, art history, and architecture. Upon graduation, he won the prestigious William Ward Watkins Traveling Fellowship, the AIA Certificate for Excellence, the Chillman Prize, and the John Swift Medal in Fine Arts. After receiving a Texas Architectural Foundation Scholarship, Professor Borden returned to Rice for his BARCH, also cum laude. He went on to Harvard University's Graduate School of Design to complete a postprofessional Masters of Architecture with distinction.In addition to holding a tenured position as associate professor at the University of Southern California, Borden is the architecture discipline head and director of the graduate architecture programs. As principal of Borden Partnership since 2002, his design work has won numerous recognitions including: the Architectural League Prize; the AIA Young Architect Award; Building Design and Construction magazine's "40 Under 40" award; and numerous AIA, ACSA, and RADA awards. Borden received artist-in-residence awards from the Chinati Foundation in Marfa, Texas; the Atlantic Center for the Arts; the Borchard Fellowship; and the MacDowell Colony. His teaching has been recognized with an ACSA New Faculty Teaching Award as one of the top emerging architecture faculty. His first book, Material Precedent: The Typology of Modern Tectonics, published in 2010 (Wiley Press); his second, Matter: Material Processes in Architectural Production, published in 2011 (Routledge) his third Principia: Architectural Principles of Material Form, published in 2013 (Pearson); and this book Process: Material and Representation in Architecture (Routledge) all focus on materiality.As an artist, theoretician, and practitioner, Professor Borden's research and practice focuses on the role of materiality and architecture in contemporary culture.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : new. Hardcover. This book examines the interrelationship of representational methods and material systems as fundamental drivers of the design process. Identifying four primary categories of representational logics - point, line, surface, mass - each category is illustrated through four precedent projects that deploy iterative material sensibilities. As a collection, this text provides a comprehensive categorization of the architectural design process.Through the comprehensive definition of categorical typologies, it illustrates the collective capability of this conceptual methodology. By unpacking projects through their specific design devices, the collective analysis reveals the impact of material techniques and methods of representation as a generative tool. Broad in scope, it identifies and uniformly analyses some of the most significant projects from the last century, including:UK Pavilion Shanghai - Heatherwick Studio, Shanghai,ChinaGatehouse - Office dA, Beijing, ChinaMaison Colonial - Jean Prouve, France/Africade Young Museum - Herzog and de Meuron, California USAMontreal Expo 67 - Buckminster Fuller, Montreal, CanadaJean Marie Tjibou Cultural Center RPBW, Noumea, IndonesiaHouse III - Peter Eisenman, New York, USABarcelona Pavilion - Mies van der Rohe, Barcelona, SpainTel Aviv - Scott Cohen, Tel Aviv, IsraelLos Manantiales - Felix Candella, Mexico City, MexicoYokahama Terminal FOA, Yokahama, JapanPantheon, Rome, ItalyTres Grand Bibliotheque - Rem Koolhaas, OMA, Paris, FranceBrother Claus Field Chapel - Peter Zumthor, SwitzerlandEmbryonic House- Greg LynnRichly illustrated with consistent, clear and precise line drawings, the book presents a series of iconic precedents through a unique analytical and graphic sensibility. By unpacking projects through their specific design devices, this book reveals the impact of material techniques and methods of representation as a generative tool. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780415522632
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Etat : New. Gail Peter Borden attended Rice University, simultaneously receiving Bachelor of Arts degrees (all cum laude) in fine arts, art history, and architecture. Upon graduation, he won the prestigious William Ward Watkins Traveling Fellowship, the AIA Certificate. N° de réf. du vendeur 594647000
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Hardcover. Etat : new. Hardcover. This book examines the interrelationship of representational methods and material systems as fundamental drivers of the design process. Identifying four primary categories of representational logics - point, line, surface, mass - each category is illustrated through four precedent projects that deploy iterative material sensibilities. As a collection, this text provides a comprehensive categorization of the architectural design process.Through the comprehensive definition of categorical typologies, it illustrates the collective capability of this conceptual methodology. By unpacking projects through their specific design devices, the collective analysis reveals the impact of material techniques and methods of representation as a generative tool. Broad in scope, it identifies and uniformly analyses some of the most significant projects from the last century, including:UK Pavilion Shanghai - Heatherwick Studio, Shanghai,ChinaGatehouse - Office dA, Beijing, ChinaMaison Colonial - Jean Prouve, France/Africade Young Museum - Herzog and de Meuron, California USAMontreal Expo 67 - Buckminster Fuller, Montreal, CanadaJean Marie Tjibou Cultural Center RPBW, Noumea, IndonesiaHouse III - Peter Eisenman, New York, USABarcelona Pavilion - Mies van der Rohe, Barcelona, SpainTel Aviv - Scott Cohen, Tel Aviv, IsraelLos Manantiales - Felix Candella, Mexico City, MexicoYokahama Terminal FOA, Yokahama, JapanPantheon, Rome, ItalyTres Grand Bibliotheque - Rem Koolhaas, OMA, Paris, FranceBrother Claus Field Chapel - Peter Zumthor, SwitzerlandEmbryonic House- Greg LynnRichly illustrated with consistent, clear and precise line drawings, the book presents a series of iconic precedents through a unique analytical and graphic sensibility. By unpacking projects through their specific design devices, this book reveals the impact of material techniques and methods of representation as a generative tool. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9780415522632
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