The Language of Displayed Art, first published in 1994, is a seminal work in the field of Multimodality and one of the few to be entirely dedicated to the analysis and interpretation of works of art.
This book explores the "grammar" of the visual arts of painting, sculpture and architecture.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Michael O'Toole is an emeritus professor of communication at Murdoch University, Perth. He was an early pioneer of audio-visual language teaching methodology and was commissioned by the BBC to write and broadcast two Russian courses for radio. He worked with the Australian 'discourse analysis' school led by Michael Halliday and helped to develop their work in the areas of literary stylistics, general semiotics, and art and aesthetics.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. The Language of Displayed Art, first published in 1994, is a seminal work in the field of Multimodality and one of the few to be entirely dedicated to the analysis and interpretation of works of art. This book explores the "grammar" of the visual arts of painting, sculpture and architecture, proposing that as viewers we simultaneously read three different kinds of meaning in them:what is represented (Representational meaning)how it engages us (Modal meaning)how it is composed (Compositional meaning).The second edition features: two new chapters; an extended discussion of Chapter 5 "Why Semiotics"; and an extended version of Chapter 7 with more illustrations of language forms, discourse norms and genres, as well as non-art visual modes. The book is now accompanied by a CD, created by the author and features a virtual gallery of twenty-eight additional paintings with questions to encourage analysis and interpretation, and model answers to these questions in the book's appendix. The downloadable resources also include a notebook for readers to record their own observations and ideas.The Language of Displayed Art is an indispensable text for those studying Multimodality, Applied Linguistics, Language and Art. N° de réf. du vendeur LU-9780415595278
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Paperback. Etat : new. Paperback. The Language of Displayed Art, first published in 1994, is a seminal work in the field of Multimodality and one of the few to be entirely dedicated to the analysis and interpretation of works of art. This book explores the "grammar" of the visual arts of painting, sculpture and architecture, proposing that as viewers we simultaneously read three different kinds of meaning in them: what is represented (Representational meaning) how it engages us (Modal meaning) how it is composed (Compositional meaning). The second edition features: two new chapters; an extended discussion of Chapter 5 "Why Semiotics"; and an extended version of Chapter 7 with more illustrations of language forms, discourse norms and genres, as well as non-art visual modes. The book is now accompanied by a CD, created by the author and features a virtual gallery of twenty-eight additional paintings with questions to encourage analysis and interpretation, and model answers to these questions in the book's appendix. The CD also includes a notebook for readers to record their own observations and ideas.The Language of Displayed Art is an indispensable text for those studying Multimodality, Applied Linguistics, Language and Art. The Language of Displayed Art, first published in 1994, is a seminal work in the field of Multimodality and one of the few to be entirely dedicated to the analysis and interpretation of works of art. This book explores the "grammar" of the visual arts of painting, sculpture and architecture. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780415595278
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