This book focuses on the complex ways in which architectural practice, theory, patronage, and experience became modern with the rise of a mass public and a reconfigured public sphere between the end of the seventeenth century and the French Revolution.
Presenting a fresh theoretical orientation and a large body of new primary research, this book offers a new cultural history of virtually all the major monuments of eighteenth-century Parisian architecture, with detailed analyses of the public debates that erupted around such Parisian monuments as the east facade of the Louvre, the Place Louis XV [the Place de la Concorde], and the church of Sainte-Genevieve [the Pantheon].
Depicting the passage of architecture into a mediatized public culture as a turning point, and interrogating it as a symptom of the distinctly modern configuration of individual, society, and space that emerged during this period, this study will interest readers well beyond the discipline of architectural history.
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Richard Wittman is Assistant Professor in the Department of History of Art and Architecture at the University of California at Santa Barbara. He is a cultural historian of early modern and modern European architecture and town planning, with secondary interests in theory and the historiography of architecture.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : Fine. 1st Edition. Beautiful SIGNED Inscription by Author. NEVER READ. EXCELLENT PAGES And BINDING And COVER. Approximately 6 1/2" X 9 1/2".290 pages. Signed by Author(s). N° de réf. du vendeur 005408
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Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Richard Wittman is Assistant Professor in the Department of History of Art and Architecture at the University of California at Santa Barbara. He is a cultural historian of early modern and modern European architecture and town planning, . N° de réf. du vendeur 83389210
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