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Cinematic Emotion in Horror Films and Thrillers: The Aesthetic Paradox of Pleasurable Fear - Couverture rigide
Synopsis
Why can fear be pleasurable? Why do we sometimes enjoy an emotion we otherwise desperately wish to avoid? And why are the movies the predominant place for this paradoxical experience? These are the central questions of Julian Hanich's path-breaking book, in which he takes a detailed look at the various aesthetic strategies of fear as well as the viewer's frightened experience. By drawing on prototypical scenes from horror films and thrillers like Rosemary's Baby, The Silence of the Lambs, Seven and The Blair Witch Project, Hanich identifies five types of fear at the movies and thus provides a much more nuanced classification than previously at hand in film studies. His descriptions of how the five types of fear differ according to their bodily, temporal and social experience inside the auditorium entail a forceful plea for relying more strongly on phenomenology in the study of cinematic emotions.
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À propos de l?auteur
Julian Hanich teaches film and media studies, currently working at the interdisciplinary research center 'Languages of Emotion' of the Free University Berlin. From August 2012 he will be Assistant Professor of Film Studies at the University of Groningen. His articles have appeared in The New Review of Film and Television Studies, Jump Cut and Film-Philosophy. In his research he focuses on cinematic emotions and affects, the viewer's imagination, film and phenomenology, the collective viewing experience as well as genre studies (melodrama, pornography, comedy, heist movies). He is also a film critic for the Berlin-based daily Der Tagesspiegel. His homepage can be found at www.julianhanich.de.
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Cinematic Emotion in Horror Films and Thrillers: The Aesthetic Paradox of Pleasurable Fear (Routledge Advances in Film Studies)
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Routledge, 2010
ISBN 10 : 0415871395
ISBN 13 : 9780415871396
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Hardcover. Etat : Near Fine. Etat de la jaquette : No Dust Jacket. First Edition. Laminated boards. Why can fear be pleasurable? Why do we sometimes enjoy an emotion we otherwise desperately wish to avoid? And why are the movies the predominant place for this paradoxical experience? These are the central questions of Julian Hanich's path-breaking book, in which he takes a detailed look at the various aesthetic strategies of fear as well as the viewer's frightened experience. By drawing on prototypical scenes from horror films and thrillers like Rosemary's Baby, The Silence of the Lambs, Seven and The Blair Witch Project, Hanich identifies five types of fear at the movies and thus provides a much more nuanced classification than previously at hand in film studies. His descriptions of how the five types of fear differ according to their bodily, temporal and social experience inside the auditorium entail a forceful plea for relying more strongly on phenomenology in the study of cinematic emotions. In so doing, this book opens up new ways of dealing with these emotions. Hanich's study does not stop at the level of fear in the movie theatre, however, but puts the strong cinematic emotion against the backdrop of some of the most crucial developments of our modern world: disembodiment, acceleration and the loosening of social bonds. Hanich argues that the strong affective, temporal, and social experiences of frightening movies can be particularly pleasurable precisely because they help to counterbalance these ambivalent changes of modernity. Size: Octavo. 314 pages. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Film, Radio & Television; Social Science; Media Studies; Films & cinema; ISBN: 0415871395. ISBN/EAN: 9780415871396. Dewey Code: 791.436164. Inventory No: 90493. N° de réf. du vendeur 90493
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Cinematic Emotion in Horror Films and Thrillers: The Aesthetic Paradox of Pleasurable Fear (Routledge Advances in Film Studies)
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Hanich, J: Cinematic Emotion in Horror Films and Thrillers
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Cinematic Emotion in Horror Films and Thrillers
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Cinematic Emotion in Horror Films and Thrillers
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