Learning to Curse: Essays in Early Modern Culture - Couverture rigide

Greenblatt, Stephen J.

 
9780415901734: Learning to Curse: Essays in Early Modern Culture

Synopsis

The author is a pioneer of "new historicism" - a form of cultural criticism that is refashioning studies in the humanities. His writing reflects the concerns of new historians: refusing to respect the boundaries that arbitrarily divide the literary and aesthetic from the political, it seeks to situate the elusive pleasures of literature within a context of cultural and historical understanding. The essays in this work trace the evolution of the author's new historical practice through his engagement with a wide variety of texts and social practices, from "King Lear" and "The Jew of Malta" to Zuni dances and the Musee d'Orsay. Combining historical an anthropological techniques with textual analysis, the author approaches issues and authors that once seemed comfortably familiar. Focusing on such problems as the relationship between cultural identity and otherness in early modern culture; the uses of violence, both physical and rhetorical, against those identified as aliens; and the role of the imagination in efforts to shape and stabilize both cultural and personal identity, this work exposes a Renaissance world made challenging and strange.

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Présentation de l'éditeur

One of the foremost figures in Renaissance studies today, Stephen Greenblatt is also a pioneer of the "new historicism"--the influential theoretical movement in cultural criticism that is radically refashioning the study of the humanities.

Learning to Curse combines historical and anthropological techniques with rigorous textual analysis and vivid writing. Greenblatt produces imaginative and often disturbing new approaches to issues and authors which once seemed comfortably familiar. By focusing on such problems as the relationship between cultural identity and otherness in early modern culture; the uses of violence--both physical and rhetorical--against those identified as aliens; and the role of the imagination in efforts to shape and stabilize both cultural and personal identity, Learning to Curse exposes a Renaissance world made challenging and strange, forcing the reader to develop new ways of seeing and understanding.

Présentation de l'éditeur

Stephen Greenblatt argued in these celebrated essays that the art of the Renaissance could only be understood in the context of the society from which it sprang. His approach - 'New Historicism' - drew from history, anthropology, Marxist theory, post-structuralism, and psychoanalysis and in the process, blew apart the academic boundaries insulating literature from the world around it.

Learning to Curse charts the evolution of that approach and provides a vivid and compelling exploration of a complex and contradictory epoch.

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