This book provides an `insider' view of worlds of popular music. It shows the relationship between music, creativity, ideas and localities by looking at cities, independents, genre, globalization and musician's relationships with each other. Webb examines groups of musicians, audiences and people involved in the music industry and shows the articulation of their position as well as how to understand this theoretically by looking at the city as a centre for music production; the industrial music inspired neo-folk genre; independence and its various meanings as a productive position in the music industry; the globalization of music; and musicians own narratives about working together and dealing with the industry. Utilizing case studies of a variety of different cities -- Bristol, London, New York, San Francisco, Berlin -- and genres -- Trip-hop, Hip-hop, Industrial, Neo-folk -- this volume is a landmark in popular music studies.
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Peter Webb is Lecturer in Sociology at Goldsmiths, University of London.
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Etat : Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9780415956581. N° de réf. du vendeur 2379955
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Etat : New. Assesses sociological and cultural attempts to theorize the worlds of popular music production. This book offers and develops a theoretical matrix that illuminates these trends in a complex and instructive way. Series: Routledge Advances in Sociology. Num Pages: 288 pages, 16 black & white illustrations. BIC Classification: JFC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 152 x 18. Weight in Grams: 521. . 2008. 1st Edition. hardcover. . . . . N° de réf. du vendeur V9780415956581
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