Merce Cunningham and the Modernizing of Modern Dance is a complete study of the life and work of this seminal choreographer/dancer. More than just a biography, Copeland explores Cunningham's life story against a backdrop of an entire century of developments in American art. Copeland traces his own experience of Cunningham's dances-from the turbulent late '60s through the experimental works of the '80s and '90s-showing how Cunningham moved dance away from the highly emotional, subjective work of Martha Graham to a return to a new kind of classicism. This book places Cunningham in the forefront of an artistic revolution, a revolution that has its parallels in music (John Cage, and the minimalist composers who followed him), painting (Jasper Johns, Robert Rauschenberg), theater (the happenings of the '60s), and dance itself (the Judson School of dancers). An iconclastic and highly readable analysis, this book will be enjoyed by all those interested in the development of the American arts in the 20th century.
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Roger Copeland is Professor of Theater and Dance at Oberlin College. He is coeditor of the widely used anthology What is Dance? His essays about dance, theater, and film have appeared in The New York Times, The NewRepublic, The Village Voice, and many other publications including The Encyclopedia of Dance and Ballet.
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Vendeur : Bayside Books of Maryland, IOBA, Sykesville, MD, Etats-Unis
Hardcover. Etat : Fine. First Edition. Trade paperback format, Routledge, 2004. 304 pages, with bibliography and index. As New condition, with no writing, highlighting, or underlining. Binding solid and square, with no creasing. Small, faint black smudge to upper edge of page block. "[T]he first complete critical overview of Cunningham's entire body of work, extending from his earliest solos through his most recent experiments with digital technology.". N° de réf. du vendeur 001463
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Etat : New. This iconoclastic analysis explores Cunningham's life story against a backdrop of an entire century of developments in American art. Copeland shows how Cunningham moved dance away from the highly emotional, subjective work of Martha Graham to a return to a new kind of classicism. Num Pages: 328 pages, 25ill. BIC Classification: ASDT; BG; JFC. Category: (G) General (US: Trade); (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 229 x 152 x 25. Weight in Grams: 635. . 2004. 1st Edition. hardcover. . . . . N° de réf. du vendeur V9780415965743
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