Excerpt from Das Deutsche Kirchenlied des 16. Und 17. Jahrhunderts
Qiuch (c)aäpar Illenberg' ber let5te latholifche ibichter beä'16. Sahr hunbertä, welcher unferer (c)ammlung eingereiht werben lonnte, befteht nicht unruhmlich in feinen %bfalmen fdavibä, 'in allerlei £eutfche gefang reimen bracht (sibln (R)iefer (R)änger war 1549. Au 8ippftabt_von lutherifchen (sltern geboren unb hatte in 28ittenberg sithilofophie unb $zheologie ftubiert. 9iichtäbeftoweniger trat er 1572 5um @atholiaiämué' über. (er war fobann abwechfelnb 8ehrer unb Eßfarrer in fibln unb Raiferäwerth, 1593 biß 1615 ftanb er bem Rolner (sir;mnafium al3 $bettor vor; 3uleßt finben wir ihn ebenba_ al? Slärebiger von St. Rolumba. (er ftarb am 16. %ebruar 1617. %on 11lenberg finb verfchiebene theolo gifche C'5chriften unb auch eine überfeßung ber Egeiligen (c)chrift erfchienen. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. Print on Demand. This book explores the development of German religious music and its lyrical tradition in the 16th and 17th centuries. The author begins with the Protestant Reformation and the transformations brought on by Martin Luther's doctrinal innovations, particularly his emphasis on congregational participation in religious life and the use of the vernacular in worship. The book examines the role of prominent figures such as Luther himself, Paul Speratus, and Johann Heermann in shaping the Protestant tradition of hymnody, and discusses the influence of the Lutheran chorale on later composers such as Johann Sebastian Bach. At the same time, the book also explores the development of Catholic religious music during the same period, tracing the influence of the Council of Trent and the rise of the Counter-Reformation on Catholic musical practices. The author pays special attention to the work of composers such as Heinrich Isaac and Orlande de Lassus, and examines the ways in which Catholic musicians sought to engage with the new Protestant musical forms while maintaining their own distinctive traditions. Ultimately, this book offers a comprehensive and nuanced account of a crucial period in the history of Western music, shedding light on the complex interplay between religious and musical developments in the 16th and 17th centuries. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. N° de réf. du vendeur 9780428060435_0
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Vendeur : PBShop.store US, Wood Dale, IL, Etats-Unis
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur LW-9780428060435
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Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur LW-9780428060435
Quantité disponible : 15 disponible(s)
Vendeur : Revaluation Books, Exeter, Royaume-Uni
Paperback. Etat : Brand New. 526 pages. German language. 8.90x5.98x1.18 inches. This item is printed on demand. N° de réf. du vendeur zk0428060439
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