The Devil's Redhead - Couverture souple

Corbett, David

 
9780449007167: The Devil's Redhead

Synopsis

Book by Corbett David

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

Extrait

1982

Abatangelo stood on the porch of a safe house in western Oregon, watching with foreboding as an old Harley-Davidson shovelhead thundered up the winding timber road. The motorcycle turned into the long, steep drive to the house, spewing gravel and dust as it charged uphill beneath the pine shade.

Behind him, footsteps approached from inside. Glancing over his shoulder, he watched as Shel materialized through shadow at the porch door screen.

“Kinda early,” she said, nodding down the hill.

“Isn’t it,” he replied.

Abatangelo recognized the bike. It belonged to a man named Chaney, one of the local throwbacks he’d hired for the beach crew. Not the brightest bulb, but he wasn’t alone in that. This was probably the sorriest bunch Abatangelo had put together in years, comprised of Chaney and his wanna-be biker pals, plus an unruly and utterly toasted squad of pillheads from Beaverton and a few swacked Chinooks who at least knew the area. It underscored how right it was that this should be the last catch ever, a final nest egg against the looming unknown.

Chaney took the final crest of the hill at full throttle. The dogs, three spirited black Labs, barked from inside the fenced-in backyard as the bike left behind the thick shade of the drive and entered the hardpan firebreak surrounding the house. Chaney came garbed in denims and cowboy boots and aviator shades, with a black watch cap pulled down low on his head. Maybe all of twenty years old. Give him three years, Abatangelo thought, he’ll be punching a clock for the timber companies, or whining because he isn’t, same as everybody else up here.

Revving the throttle three times, legs sprawled for balance, Chaney walked the hog up to the porch. Abatangelo waited till he killed the engine, then waited a little longer for the dust to settle. Pines on all sides of the house swayed in the morning breeze. In the distance a lumber truck broke the valley-wide silence, groaning in low gear up a steep grade.

“What an unexpected pleasure,” Abatangelo said, making sure Chaney caught his tone. This location wasn’t common knowledge, not among the hirelings. Only the Company captains knew where to find each other.

“Yeah, well,” Chaney said, clearing his sinuses of dust. “Eddy gave me directions.”

Eddy was Eddy Igo, the Company’s transportation chief. He was also Abatangelo’s closest friend.

“He’s in trouble,” Abatangelo guessed.

Chaney lifted his shades, rubbing his eyes. “We were out last night,” he said, “put a serious package on. Eddy was driving. Got pulled over on the lumber road to Roseburg. Trooper made Eddy get out and do the stunts. You can pretty much imagine how that went.”

“Roseburg,” Abatangelo said. “Kinda far afield. You were over there why?”

“Truck hunt,” Chaney said.

It was Eddy’s job to assemble the fleet of trucks they’d need to move the load off the beach to the remote barn they’d be using for temporary storage.

“Eddy in Roseburg now?”

“Drunk tank,” Chaney confirmed. “He was getting cuffed, said, ‘Tell the family for me, will ya? Have ’em make bail.’ I figured he meant you, cuz I got no idea where his people are.”

“And he gave you directions here.”

“Kinda vague and cryptic, you know, hush-hush,” Chaney said. “Not so the trooper caught on. Don’t think so, any rate. If I didn’t live around here, I’d a been clueless, too.”

Abatangelo looked off, scanning the forest as he thought things through. The story could be horseshit. The locals may have turned the boy already, sent him out here to lure the next man in. Me, he thought. Worse, Shel. There was no way to tell without taking the next step, heading into Roseburg. If the kid was telling the truth, Abatangelo knew he had to get Eddy out soon, before the law caught on to who he was.

“I appreciate your bringing the news,” he said finally. A display of gratitude was called for, in the event Chaney was being straight with him. “You want to come on in? Stretch out, maybe have a bite?”

Shel recognized this as a cue. Opening the screen door, she stepped on out to the porch, dressed in a tartan lumberjack shirt and blue-jean cutoffs, barefoot, her red hair still tousled from sleep. Chaney, blinking, broke into a lovestruck smile.

“Come on in, roughrider,” she said, extending a hand.

Chaney froze, like she was asking him to dance. Shel wiggled her hand and Chaney came to, struggling to disengage himself from his machine and staggering a little as he got his legs beneath him, trundling forward, up the wood-plank stair and onto the porch.

As Abatangelo headed into the bath for a fast shower and shave, Shel led Chaney back through the house toward the kitchen. The kid ambled along, inspecting the place as though everything in it possessed a veiled meaning. He lingered at the framed photographs on the walls, taken by Abatangelo during his travels with Shel—Tulum, Barcelona, Pataya, Trinidad, Vanuatu. There were both landscapes and portraits, black and white mostly, but color, too, even a few hand-tinted prints. Chaney, eyes wide, probed the corners of his mouth with his tongue as he walked picture to picture.

In the kitchen, Shel pointed to a chair at the pine table near the window and asked, “Hungry?”

Chaney wiped dust from under his eyes and nodded. “Got any tuna fish?”

It stopped her cold. “We’re talking breakfast here.”

Chaney shrugged. “Well, yeah.”

The tone in his voice, it reminded her, This is a boy. “Sure,” Shel said.

“Tuna fish and Thousand Island dressing. Slice of Swiss if you got it. You know, a sandwich.”

He pressed his palms together, as though to demonstrate what a sandwich was. Good God, Shel thought, gagging.

He sat down and shortly noticed a stack of prints and proof sheets Abatangelo had left out on the table. “Jeez,” he said, waving in the vague direction of the hallway, as though to include both groups of photographs in his remark. “These are like, you know, good.”

“Danny has an eye.”

“I mean, like professional good,” Chaney said. “You know, Time. Newsweek. Penthouse.”

Shel dumped a splotch of Thousand Island dressing into a bowl of canned tuna and started working the stuff with a fork. “He’s sold a few to the wire services, AP, that kinda thing.” She slathered the stuff onto two slices of white bread.

Chaney sniggered and sat back. “Yeah right. And this load coming in, what’s that?” He crossed his arms, snorting as he nodded toward the pictures. “Probably bought all this shit at some kinda . . . I dunno, sale.”

Shel put down the fork, wiped her hands, strode across the room and leaned down till she was nose to nose with him.

“Look at me,” she said, tapping the bridge of her nose with her finger. “You got something you wanna say?”

Chaney leaned back a little, glance jittering from one eye to the other. “I said it already.”

“You’re sure of that.”

“Yeah.”

“Good.” Shel straightened. “If not, let’s hear it now. All of it.”

Chaney gnawed his lip. “What I meant,” he said quietly, “is, like, it’s a good idea, you know? Make the place look artsy. Like that’s what you guys do.”

“It is what we do,” Shel said. “Remember that.” She stormed back to the counter, threw his sandwich together and served it to him with a jar of pickles and a can of RC cola. “Chow down, Brown,” she said, then headed for the bath.

Abatangelo was finishing up, shaving himself, his lathered face reflected in a hand-wiped circle of steamless mirror. Shel sat down behind him on the edge of the tub. He was naked from his shower, dampness clinging to the hair along his legs, droplets dotting his back where he’d missed with the towel.

He glanced over his shoulder and nodded toward the kitchen. “You trust him?”

“He’s hell-bent on putting my self-control to work, I can tell you that.”

“That could be stuff.”

“It’s not stuff, believe me. It’s him. Anyway, yeah, sure, what’s not to trust? If the locals already rolled the kid, they’d have come up here themselves. You’re the head man. Why wait?”

“Always looks good in the papers,” he said, “you take down the whole crew.”

“You are the whole crew,” she said. “Be real. They get greedy, especially using that kid out there, they risk tipping you off. You close the whole thing down, poof, you’re gone. Then what’ve they got? Eddy on a drunk driving beef.”

Abatangelo rinsed his razor beneath the spigot. “You’re probably right.”

“Which leaves us where?”

With a washcloth he wiped away the last of the shaving cream. “If we’re lucky,” he said, “Eddy’s already been sprung and he’s wandering around downtown Roseburg.”

“You feeling lucky?”

Since the decision last spring to roll the dice, go ahead with this final run, fuckups had grown routine. The buzzards of bad luck were circling.

“Not particularly,” he admitted. He went into the next room, sat on the bed and pulled on a T-shirt, a pair of socks.

Shel followed him in. “Let me take care of Eddy,” she offered. “Go in, make his bail.”

Revue de presse

“Will leave you weak and shaken, exhilarated.”
—JOE GORES
Author of Hammett

“CORBETT WRITES WITH AN INTENSITY OF FEELING. . . . Without compromising the stark realism of his bruising style, [he] has written an astonishingly tender love story.”
—The New York Times Book Review

“A TENSE, TERRIFIC STORY, BEAUTIFULLY WRITTEN . . . When I finished it I thought of Ross Macdonald; David Corbett is that good.”
—MAX BYRD
Author of Jefferson, Jackson, and Grant

“ENGROSSING . . . RICHLY DEVELOPED . . . [A] STAR IS BORN WITH THE DEVIL’S REDHEAD.”
—Deadly Pleasures

“ADDICTIVE, BRUTALLY REALISTIC, AND ULTIMATELY VERY MOVING . . . Corbett writes crime with a deft touch, a professional investigator’s knowledge, and a rare talent for telling details.”
—MARK COGGINS
Author of The Immortal Game

The Devil’s Redhead isn’t a walk on the wild side, it’s a flat-out run for your life with the hounds chasing after you. David Corbett writes with flair and passion, creating characters who live and breathe and do very bad things. I believed every word of it. Hit me again.”
—ROBERT FERRIGNO
Author of Flinch

“Corbett handles both selfless love and unspeakable brutality with a poet’s hand. The Devil’s Redhead is the best debut novel I’ve read in years.”
—MARTIN J. SMITH
Author of Straw Men

“Often dark, often hopeful, The Devil’s Redhead takes you deep into the world of crime and drugs and the lives they inevitably consume. This is a compelling novel about loyalty, love lost and renewed, and the price we all must pay when we live too close to the edge.”
—JAMES BROWN
Author of Lucky Town

“What a story . . . Corbett has taken the threads of life . . . and woven a roller-coaster ride through tunnels of good, bad, murder, and redemption. Hold on tight, readers, you’re in for a thrill.”
The Clarion-Ledger (Jackson, MS)

“A THRILLING DEBUT . . . Its scintillating plot and edgy characters create a wrecking ball story with a flash-bang ending.”
Easy Reader

“There are no easy answers in [The Devil’s Redhead]. It is at once a novel of white-knuckle suspense, a serious and even literary exploration of the human psyche, and a love story of two badly flawed people fighting against the odds in any way they can. The Devil’s Redhead is a bullet-fast, high-wire act without a safety net.”
—JOE GORES

“Set in a brilliantly evoked Northern California landscape, The Devil’s Redhead succeeds as both a gritty romance and a terrifying insider’s view of the awesome stupidity and insanity of methamphetamine-fueled criminal elements.”
Pages magazine

The Devil’s Redhead is filled with taut suspense and wonderfully vivid details—Corbett uses his words to maximum effect. . . . [He] is a talented author who will take the mystery world by storm.”
Romantic Times

“Corbett thunders out of the gate with this gritty, moving debut. . . . [His] prose dazzles, cutting across the pages with passionate force.”
—Publishers Weekly


From the Trade Paperback edition.

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

Autres éditions populaires du même titre