The Fluxus Reader Fluxus began in the 1950s as a loose, international community of artists, architects, composers and designers. By the 1960s, Fluxus has become a laboratory of ideas and an arena for artistic exprmentation in Europe, Asia and the United States. Described as the most radical and experimental art movement of the 1960s', Fluxus chaqllenged conventional thinking on art and culture for over four decadese. It had a central role in the birth of such key contemporary art forms as concept art, installation, performance art, intermedia and video. Despite this influence, the scope and scale of this unique phenomenon have made it difficult to explain Fluxus in normative historical and critical terms. The Fluxus Reader offers the first comprehensive overview on this challenging and controversial group. The Fluxus Reader is written by leading scholars and experts from Europe and the United States. It is edited by Ken Friedman, a Fluxus artist as a sixteen-year-old university student in 1996 and now Associate Professor of Leadership and strategic design at the Norwegian School of Management, Oslo, where he also directs the Nordic Center for Innovation.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
The Fluxus Reader Fluxus began in the 1950s as a loose, international community of artists, architects, composers and designers. By the 1960s, Fluxus has become a laboratory of ideas and an arena for artistic exprmentation in Europe, Asia and the United States. Described as ′the most radical and experimental art movement of the 1960s′, Fluxus chaqllenged conventional thinking on art and culture for over four decadese. It had a central role in the birth of such key contemporary art forms as concept art, installation, performance art, intermedia and video. Despite this influence, the scope and scale of this unique phenomenon have made it difficult to explain Fluxus in normative historical and critical terms. The Fluxus Reader offers the first comprehensive overview on this challenging and controversial group. The Fluxus Reader is written by leading scholars and experts from Europe and the United States. It is edited by Ken Friedman, a Fluxus artist as a sixteen–year–old university student in 1996 and now Associate Professor of Leadership and strategic design at the Norwegian School of Management, Oslo, where he also directs the Nordic Center for Innovation.
The Fluxus Reader offers the first comprehensive overview on this challenging and controversial group. Fluxus began in the 1950s as a loose, international community of artists, architects, composers and designers. By the 1960s, Fluxus had become a laboratory of ideas and an arena for artistic experimentation in Europe, Asia and the United States. Described as ′the most radical and experimental art movement of the 1960s′, Fluxus challenged conventional thinking on art and culture for over four decades. It had a central role in the birth of such key contemporary art forms as concept art, installation, performance art, intermedia and video. Despite this influence, the scope and scale of this unique phenomenon have made it difficult to explain Fluxus in normative historical and critical terms.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Mullen Books, ABAA, Marietta, PA, Etats-Unis
Softcover. A red softcover book with the title in white down the spine. Pages: (4), v-x, (3), 4-309. "The Fluxus Reader offers the first comprehensive overview on this challenging and controversial group. Fluxus began in the 1950s as a loose, international community of artists, architects, composers and designers. By the 1960s, Fluxus had become a laboratory of ideas and an arena for artistic experimentation in Europe, Asia and the United States. Described as 'the most radical and experimental art movement of the 1960s', Fluxus challenged conventional thinking on art and culture for over four decades. It had a central role in the birth of such key contemporary art forms as concept art, installation, performance art, intermedia and video. Despite this influence, the scope and scale of this unique phenomenon have made it difficult to explain Fluxus in normative historical and critical terms." Contents are as follows: Part I. Three histories : Developing a fluxable forum: Early performance & publishing / Owen Smith -- Fluxus, fluxion, flushoe: the 1970's / Simon Anderson -- Fluxus fortuna / Hannah Higgins -- Part II. Theories of Fluxus: Boredom and oblivion / Ina Blon -- Zen vaudeville: a medi(t)ation in the margins of Fluxus / David T. Doris -- Fluxus as a laboratory / Craig Saper -- Part III. Critical and historical perspectives: Fluxus history and trans-history: competing strategies for empowerment / Estera Milman -- Historical design and social purpose: a note on the relationship of Fluxus to modernism / Stephen C. Foster -- A spirit of large goals: fluxus, dada and postmodern cultural theory at two speeds -- Part IV. Three Fluxus voices : Transcript of the videotaped Interview with George Maciunas -- Selections from an interview with Billie Maciunas / Susan L. Jarosi -- Maybe Fluxus (a para-interrogative guide for the neoteric transmuter, tinder, tinker and totalist) / Larry Miller -- Part V. Two Fluxus theories : Fluxus : theory and reception / Dick Higgins -- Fluxus and company / Ken Friedman -- Part. VI-- Documents of Fluxus : Fluxus chronology : key moments and events -- A list of selected Fluxus art works and related primary source materials -- A list of selected Fluxus sources and related secondary sources. VG: Exlibrary book. Stamp on inside front cover. Stamp and due date card on inside back cover. Stamp on top text block. Stamp on bottom text block. N° de réf. du vendeur 203410
Quantité disponible : 1 disponible(s)
Vendeur : Antiquariat Thomas Haker GmbH & Co. KG, Berlin, Allemagne
Softcover/Paperback. Etat : Befriedigend. 310 pages. Acceptable. Ex-library with usual markings. Cover with kinks and edgeworn. A few pencilled underlinings inside. Sprache: Englisch Gewicht in Gramm: 640. N° de réf. du vendeur 884648
Quantité disponible : 1 disponible(s)
Vendeur : Harry Alter, Sylva, NC, Etats-Unis
paperback, Etat : Very Good, Academy Editions, London, c.1998, 1st.trade paperbk.prtg., 309pp., VG $. N° de réf. du vendeur 94775
Quantité disponible : 1 disponible(s)
Vendeur : Anybook.com, Lincoln, Royaume-Uni
Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9780471978589. N° de réf. du vendeur 2383997
Quantité disponible : 1 disponible(s)
Vendeur : Antiquariat Wilder - Preise inkl. MwSt., Salzhemmendorf, Allemagne
Etat : Sehr gut. reprint. 309 S., 23cm x 17cm brosch. Eb., dieser mit minimalsten Gebrauchsspuren, ansonsten sehr guter Zustand. Sprache: Deutsch Gewicht in Gramm: 1000. N° de réf. du vendeur 6300172
Quantité disponible : 1 disponible(s)
Vendeur : BUCHSERVICE / ANTIQUARIAT Lars Lutzer, Wahlstedt, Allemagne
Etat : gut. 1999. The Fluxus Reader In englischer Sprache. pages. N° de réf. du vendeur BN517931
Quantité disponible : 1 disponible(s)