Approaching Weimar architectural culture from the perspective of mass discourse and class analysis, Hake examines the way in which architectural projects and representations in literature, photography, and film played a key role in establishing the terms under which contemporaries made sense of the rise of white-collar society.
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Sabine Hake is Professor and Texas Chair of German Literature and Culture at the University of Texas at Austin. She is the author of numerous books, including German National Cinema (Routledge 2002) and Popular Cinema of the Third Reich (University of Texas Press 2001).
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Etat : New. Approaching Weimar architectural culture from the perspective of mass discourse and class analysis, the author examines the way in which architectural projects, debates, and representations in literature, photography, and film played a role in establishing the terms under which contemporaries made sense of the rise of white-collar society. Num Pages: 352 pages, 60 illustrations. BIC Classification: 1DFG; 3JJG; AM; JFC. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 229 x 152 x 23. Weight in Grams: 417. . 2008. Paperback. . . . . N° de réf. du vendeur V9780472050383
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Etat : New. Approaching Weimar architectural culture from the perspective of mass discourse and class analysis, the author examines the way in which architectural projects, debates, and representations in literature, photography, and film played a role in establishing the terms under which contemporaries made sense of the rise of white-collar society. Num Pages: 352 pages, 60 illustrations. BIC Classification: 1DFG; 3JJG; AM; JFC. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 229 x 152 x 23. Weight in Grams: 417. . 2008. Paperback. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9780472050383
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