Class, Critics, and Shakespeare is a provocative contribution to "the culture wars." It engages with an ongoing debate about literary canons, the democratization of literary study, and of higher education in general. For a generation at least, academic readings of literary works, including those of Shakespeare, have often challenged privilege based on race, gender, and sexuality. Sharon O'Dair observes that in these same readings, class privilege has remained effectively unchallenged, despite repeated invocations of it within multiculturalism. She identifies what she sees as a structurally necessary class bias in academic literary and cultural criticism, specifically in the contemporary reception of William Shakespeare's plays. The author builds her argument by offering readings of Shakespeare that put class at the center of the analysis--not just in Shakespeare's plays or in early modern England, but in the academy and in American society today. Individual chapters focus on The Tempest and education, Timon of Athens and capitalism, Coriolanus and political representation. Other chapters treat the politics of cultural tourism and land-use in the Pacific northwest, and analyze the politics of the academic left in the U.S. today, focusing on the debate between what has been called a "social" left and a "cultural" left. The author's quest is to understand why an intellectual culture that values diversity and pluralism can so easily disdain and ignore the working-class people she grew up with. Her provocative and heartfelt critique of academic culture will challenge and enlighten a broad range of audiences, including those in cultural studies, American studies, literary criticism, and early modern literature. Sharon O'Dair is Associate Professor of English, University of Alabama.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Sharon O'Dair is Associate Professor of English, University of Alabama.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : TotalitarianMedia, Los Angeles, CA, Etats-Unis
Soft cover. Etat : Very Good. No Jacket. 1st Edition. Class, Critics, and Shakespeare: Bottom Lines on the Culture Wars. O'Dair, Sharon Kay. University of Michigan Press, 2000. 166p. trade paperback, covers lightly bumped/scuffed, binding tight, text clean/unmarked, very good/near condition--0472067540 ISBN 13: 9780472067541--8.00. N° de réf. du vendeur ABE-1554302858112
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Vendeur : WorldofBooks, Goring-By-Sea, WS, Royaume-Uni
Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du vendeur GOR014536845
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Etat : New. Brand New. N° de réf. du vendeur 9780472067541
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. A challenging critique of academic culture and its blindspots Num Pages: 176 pages. BIC Classification: 1DBKE; 1KBB; 2AB; DDS; DSGS; JFC. Category: (P) Professional & Vocational. Dimension: 230 x 152 x 16. Weight in Grams: 350. . 2000. Paperback. . . . . N° de réf. du vendeur V9780472067541
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Vendeur : Kennys Bookstore, Olney, MD, Etats-Unis
Etat : New. A challenging critique of academic culture and its blindspots Num Pages: 176 pages. BIC Classification: 1DBKE; 1KBB; 2AB; DDS; DSGS; JFC. Category: (P) Professional & Vocational. Dimension: 230 x 152 x 16. Weight in Grams: 350. . 2000. Paperback. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9780472067541
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