In The Captive Stage, Douglas A. Jones, Jr. argues that proslavery ideology remained the dominant mode of racial thought in the antebellum north, even though chattel slavery had virtually disappeared from the region by the turn of the nineteenth century—and that northerners cultivated their proslavery imagination most forcefully in their performance practices. Jones explores how multiple constituencies, ranging from early national artisans and Jacksonian wage laborers to patrician elites and bourgeois social reformers, used the stage to appropriate and refashion defenses of black bondage as means to affirm their varying and often conflicting economic, political, and social objectives. Joining performance studies with literary criticism and cultural theory, he uncovers the proslavery conceptions animating a wide array of performance texts and practices, such as the “Bobalition” series of broadsides, blackface minstrelsy, stagings of the American Revolution, reform melodrama, and abolitionist discourse. Taken together, he suggests, these works did not amount to a call for the re-enslavement of African Americans but, rather, justifications for everyday and state-sanctioned racial inequities in their post-slavery society. Throughout, The Captive Stage elucidates how the proslavery imagination of the free north emerged in direct opposition to the inclusionary claims black publics enacted in their own performance cultures. In doing so, the book offers fresh contexts and readings of several forms of black cultural production, including early black nationalist parades, slave dance, the historiography of the revolutionary era, the oratory of radical abolitionists and the black convention movement, and the autobiographical and dramatic work of ex-slave William Wells Brown.
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Douglas A. Jones, Jr. is Assistant Professor of English, Rutgers University.
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Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 68686886-6
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Etat : New. Brand New. N° de réf. du vendeur 9780472072262
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. A revealing exploration of Northern proslavery sentiment during the period before the Civil War Series: Theater: Theory/Text/Performance. Num Pages: 232 pages, illustrations. BIC Classification: AN; HBTS. Category: (G) General (US: Trade). Dimension: 229 x 152 x 23. Weight in Grams: 522. . 2014. Illustrated. hardcover. . . . . N° de réf. du vendeur V9780472072262
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Vendeur : Kennys Bookstore, Olney, MD, Etats-Unis
Etat : New. A revealing exploration of Northern proslavery sentiment during the period before the Civil War Series: Theater: Theory/Text/Performance. Num Pages: 232 pages, illustrations. BIC Classification: AN; HBTS. Category: (G) General (US: Trade). Dimension: 229 x 152 x 23. Weight in Grams: 522. . 2014. Illustrated. hardcover. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9780472072262
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Vendeur : moluna, Greven, Allemagne
Gebunden. Etat : New. Über den AutorDouglas A. Jones, Jr is Assistant Professor of English, Rutgers University, USA.KlappentextrnrnOffers the first cultural history of proslavery ideology in the antebellum United States. The majority . N° de réf. du vendeur 594708545
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Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
Buch. Etat : Neu. Neuware - Offers the first cultural history of proslavery ideology in the antebellum United States. The majority of representations of slavery before the Civil War explicitly defended the institution or accepted it as constitutive of American life. Douglas A. Jones, Jr. traces the pervasiveness of proslavery ideology in the antebellum period, charting its functionality in the social, cultural, and racial imaginary in the most unexpected of places: the free North. N° de réf. du vendeur 9780472072262
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