Aristotle observes that at the date from which the record of comic poets begins, Attic Comedy had akeady certain definite forms. 1T he hypothesis put forward in this book is that these traditional forms still clearly traceable in the constant features of the Aristophanic play, were inherited from a ritual drama, the content of which can be reconstructed. Chapters ii to viii contain the argument for this theory, and Chapter ix deals with the paradox (if paradox it be) that the ritual drama I png behind Comedy proves to be essentially of the same type as that in which Professor Gilbert Murray has sought the origin of Tragedy. I was not myself prepared for any such conclusion. This book was plaimed, and part of it (now cancelled) was even written, while I still accepted the current view that Aristophanic Comedy is a patchwork of elements loosely pieced together, and in origin possibly foreign to one another. A closer study of the eleven plays convinced me that this opinion was almost wholly mistaken. The .plays, under all their variety and extravagance, have not only a unity of structure, but a framework of traditional incidents, which cannot, I believe, be otherwise explained than as the surviving fabric of a ritual plot. The hypothesis was thus forced upon me by the facts; but very probably it would never have occurred to me, if I had not had in my mind Professor Murray stheory of the ritual forms in Tragedy. My debt to him is, therefore, great. The dedication marks my sense of it, as well as my gratitude for all that I have learnt from his imaginative and delicate interpretation of Greek poetry. A mong earlier writers, I owe most to Zielinski, whose Gliederung der altattischen Komodie contained the first serious effort to account for the unique structure of the Old Comedy.
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Vendeur : Zubal-Books, Since 1961, Cleveland, OH, Etats-Unis
Etat : New. *Price HAS BEEN REDUCED by 10% until Monday, Nov. 9 (weekend SALE item)* 289 pp., paperback, new. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country. N° de réf. du vendeur ZB1337645
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Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G0472081950I4N00
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Paperback. Etat : New. N° de réf. du vendeur 220111127
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Soft cover. Etat : Very Good+. Minor shelf wear. Otherwise a square, tight, unmarked book. Index. lii, 289 pp. N° de réf. du vendeur 068821
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Vendeur : Borkert, Schwarz und Zerfaß GbR, Berlin, Allemagne
Original brochure. Etat : Gut. 289 p. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Pencil entry on halft-title and cut corner of title page.Otherwise in very good condition. - Content: Francis Macdonald Comford's The Origin of Attic Comedy, first published in 1912, was (and still is) the only full-scale attempt to discover the origin of the form of drama known as Attic Old Comedy, a form represented by the eleven extant plays of Aristophanes, produced between 425 and 388 BCE, and by fragments of other plays by Aristophanes and others that date mostly from 440 at the earliest. Basing his study on Gilbert Murray's (1912) theory about the origin of tragedy, Comford started from the standard structural forms of Aristophanic comedy and sought to trace them back to religious rituals and associated proto-dramatic forms that are not attested but might be inferred in light of comparative ethnological data. Comford not only used the traditional methods of classical philology but was one of the first classicists to use the methods being developed in the then new disciplines of historical archaeology and comparative anthropology, sociology and religion. He is thus worth reading as a pioneer of the interdisciplinary approach that has revitalized classical studies in this century. He is also important as a founding member (along with Jane Ellen Harrison, Gilbert Murray and Arthur Cook) of the group known as the Cambridge Ritualists, or the Myth and Ritual School, whose work on the origins of Greek drama inaugurated an approach to myth, religion and literature that was very influential from the 1920s through the 1960s and still has some followers today.1 Though most classicists have been from the beginning very suspicious of, and even hostile to, this kind of approach, it has been in recent years both sympathetically reevaluated and taken up again in exciting new directions.2 Historical interest aside, The Origin of Attic Comedy is worth reading today because its basic approach is still valid and its results, though wrong in many details, prove essentially right in others, establishing the book as a solid starting point for further research. ISBN 9780472081950 Sprache: Englisch Gewicht in Gramm: 360. N° de réf. du vendeur 1168944
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