Explores the dynamic interactions of performance, politics, and literary criticism in three U.S. countercultures in the 1950s and 60s This pathbreaking book looks at the American avant-garde during the Cold War period, focusing on the interrelated questions of performance practices, cultural resistance, and the politics of criticism and scholarship in the U.S. counter-culture. It develops three case studies - the Living Theatre's influential production The Connection, the earliest productions of performance art, and the poetry and plays of the Black Arts Movement - and examines the role of the scholar and critic in the cultural struggles of radical artists and activists. The book also explores the popularization of the avant-garde, when formerly subversive art is discovered by the mass media, gobbled up by the marketplace, and eventually finds its way onto the syllabi of college and university courses.
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Mike Sell is Assistant Professor of English at Indiana University of Pennsylvania.
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Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Etat : Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 12463941-6
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Vendeur : Autumn Leaves, Allentown, PA, Etats-Unis
Hardcover. Etat : Fine. Etat de la jaquette : Near Fine. First Edition. A clean, pristine copy, with no signs of any use. The jacket has slight wear, but is now protected by a mylar Brodart cover. Fast shipping, careful packing. ; Theater: Theory/Text/Performance; 6.25 X 1 X 9 inches; 336 pages. N° de réf. du vendeur 43420
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