KA ME RA introduces Japanese-architecture enthusiasts to the nine photographers who have been instrumental in shaping the way we view the country's spectacular postwar buildings. Through richly illustrated pages, readers can "travel" across the nation to witness its most astonishing structures through the eyes---and camera lenses---of these remarkable artists.
But can documenting buildings in this way ever be entirely neutral? Author and Japanese architecture expert Ari Seligmann examines the post--World War II evolution of architectural photography in Japan as a vehicle for considering both universal and culturally specific concepts of the world through images. Through a veritable feast of exquisitely printed pictures, he grapples with the scope of architectural photography, recognizing that it is more than producing marketable images for architects and magazines, but neither is it a strictly historical record.
Both a photobook, a series of biographies, and an architectural photo history, the book traces developments in one of the most exciting architectural contexts anywhere in the world. Japanese architecture is globally recognized through the circulation of architectural photographs, but the artists behind these photographs have had almost no global recognition, until now.
Profiled photographers: Yoshio Watanabe (1907-2000); Chuji Hirayama (1909-2005); Akio Kawasumi (1923-2007); Osamu Murai (1928- 2016); Yukio Futagawa (1932-2013); Tomio Ohashi (1932-2017); Kiyoshi Takai (b. 1938- ); Shuji Yamada (b. 1939); Mitsumasa Fujitsuka (b. 1939).
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Professor Ari Seligmann is the Associate Dean of Education in the Monash University Faculty of Art Design & Architecture in Australia, a frequent researcher in Japan, and author of books including Japanese Modern Architecture 1920-2015: Developments and Dialogues.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : new. Hardcover. This book of two halves is at once a gallery of jaw-dropping modern Japanese buildings and an in-depth explanation of how the photographs of them were made. Japanese architecture fans are introduced in this book to the nine photographers who have been instrumental in shaping the way we view the country's spectacular post-war buildings. Through its pages we can 'visit' these astonishing structures through the eyes - and camera lenses - of these remarkable artists. But can documenting buildings in this way ever be entirely neutral? Author and Japanese architecture expert Ari Seligmann examines the post-Second World War evolution of architectural photography in Japan as a vehicle for considering both universal and particular issues in how we view the world around us through images. Through a veritable feast of exquisitely printed pictures, he grapples with the scope of architectural photography, recognising that it is more than making marketing images for architects and magazines, but not quite historical record. Combining photobook, biography, and architectural photo history, the book traces developments in one of the most exciting architectural contexts anywhere in the world. Japanese architecture is globally recognised through the circulation of architectural photographs, but Japanese architectural photographers have had almost no global recognition, until now. Profiled photographers: Yoshio Watanabe (1907-2000) Chuji Hirayama (1909-2005) Akio Kawasumi (1923-2007) Osamu Murai (1928-2016) Yukio Futagawa (1932-2013) Tomio Ohashi (1932-2017) Kiyoshi Takai (1938-) Shuji Yamada (1939-) Mistumasa Fujitsuka (1939-) This book of two halves is at once a gallery of jaw--dropping modern Japanese buildings and an in--depth explanation of how the photographs of them were made. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780500028100
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