One of the greatest authorities in the field chronicles the opulence of Byzantine art from the reign of Justinian (527-565) to the fall of Constantinople in 1453. With plates that depict stupendous architectural works, frescoes, mosaics, chalices and bejeweled gospel covers, to name a few, the book provides a masterly survey of an art of magnificence and power. Drawing on extensive scholarly research as well as his own travels to the rock churches of Cappadocia and Cicilia, the monastic communities in the mountains of northern Greece and Yugoslavia, and the author illuminates the astounding works of art within a culture that celebrated art as material proof of their dominance over the Mediterranean states. 247 illus., 64 in color.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
David Talbot Rice was Lecturer on Byzantine and Near-Eastern Art at the Courtauld Institute, London, and then Watson-Gordon Professor of Fine Art at Edinburgh University. His books included Islamic Art (1965, rev 1975), published in the World of Art, The Art of Byzantium (1959) and The Byzantines (1962).
One of the greatest authorities in the field chronicles the opulence of Byzantine art from the reign of Justinian (527-565) to the fall of Constantinople in 1453. With plates that depict stupendous architectural works, frescoes, mosaics, chalices and bejeweled gospel covers, to name a few, the book provides a masterly survey of an art of magnificence and power. Drawing on extensive scholarly research as well as his own travels to the rock churches of Cappadocia and Cicilia, the monastic communities in the mountains of northern Greece and Yugoslavia, and the author illuminates the astounding works of art within a culture that celebrated art as material proof of their dominance over the Mediterranean states. 247 illus., 64 in color.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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