Like his other two works on Athenian Figure Vases, John Boardman offers a detailed survey of the important painters and workshops of the time, providing readers with over five hundred illustrations and a complete bibliography. Particular attention is paid to the technique and to the production and marketing of these outstanding vases as well as to the information they provide about everyday life and the way this reflects the changing fortunes of Athens through the period. We see how the increasingly diverse subject matter throws much light on Greek myths and religious practice, and how the appearance of flamboyant vases in the final phases of the Classical period seems to show Athenian painters looking back to earlier achievements in their craft. 566 illus.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Sir John Boardman was born in 1927, and educated at Chigwell School and Magdalene College, Cambridge. He spent several years in Greece, three of them as Assistant Director of the British School of Archaeology at Athens, and he has excavated in Smyrna, Crete, Chios and Libya. For four years he was an Assistant Keeper in the Ashmolean Museum, Oxford, and he subsequently became Reader in Classical Archaeology and Fellow of Merton College, Oxford. He is now Lincoln Professor Emeritus of Classical Archaeology and Art in Oxford, and a Fellow of the British Academy, from whom he received the Kenyon Medal in 1995. He was awarded the Onassis Prize for Humanities in 2009. Professor Boardman has written widely on the art and archaeology of Ancient Greece.
Like his other two works on Athenian Figure Vases, John Boardman offers a detailed survey of the important painters and workshops of the time, providing readers with over five hundred illustrations and a complete bibliography. Particular attention is paid to the technique and to the production and marketing of these outstanding vases as well as to the information they provide about everyday life and the way this reflects the changing fortunes of Athens through the period. We see how the increasingly diverse subject matter throws much light on Greek myths and religious practice, and how the appearance of flamboyant vases in the final phases of the Classical period seems to show Athenian painters looking back to earlier achievements in their craft. 566 illus.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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