The making of pictures has a history going back perhaps 100,000 years to an African shell used as a paint palette. Two-thirds of it is irrevocably lost, since the earliest images known to us are from about 40,000 years ago. But what a 40,000 years, explored here by David Hockney and Martin Gayford in a brilliantly original book. They privilege no medium, or period, or style, but instead, in 16 chapters, discuss how and why pictures have been made, and insistently link ‘art’ to human skills and human needs.
Each chapter addresses an important question: What happens when we try to express reality in two dimensions? Why is the ‘Mona Lisa’ beautiful and why are shadows so rarely found in Chinese, Japanese and Persian painting? Why are optical projections always going to be more beautiful than HD television can ever be? How have the makers of images depicted movement? What makes marks on a flat surface interesting?
Energized by two lifetimes of looking at pictures, combined with a great artist’s 70-year experience of experimentation as he makes them, this profoundly moving and enlightening volume will be the art book of the decade.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
David Hockney is considered one of the most influential British artists of the 20th century. He has produced work in almost every medium - painting, drawing, stage design, photography and printmaking - and has stretched the boundaries of all of them. Born in Bradford, England, in 1937, Hockney attended art school in London before moving to Los Angeles in the 1960s. There, he painted his famous swimming pool paintings. In a 2011 poll of more than 1,000 British artists, Hockney was voted the most influential British artist of all time. He continues to create and exhibit art.
Martin Gayford is art critic for The Spectator and the author of acclaimed books on Van Gogh, Constable and Michelangelo. He is the author of many books, including Man with a Blue Scarf, Rendez-vous with Art, (with Philippe de Montebello), A Bigger Message, Modernists & Mavericks, A History of Pictures (with David Hockney), The Pursuit of Art and Spring Cannot be Cancelled, all published by Thames & Hudson.
The making of pictures has a history going back perhaps 100,000 years to an African shell used as a paint palette. Two-thirds of it is irrevocably lost, since the earliest images known to us are from about 40,000 years ago. But what a 40,000 years, explored here by David Hockney and Martin Gayford in a brilliantly original book. They privilege no medium, or period, or style, but instead, in 16 chapters, discuss how and why pictures have been made, and insistently link ‘art’ to human skills and human needs.
Each chapter addresses an important question: What happens when we try to express reality in two dimensions? Why is the ‘Mona Lisa’ beautiful and why are shadows so rarely found in Chinese, Japanese and Persian painting? Why are optical projections always going to be more beautiful than HD television can ever be? How have the makers of images depicted movement? What makes marks on a flat surface interesting?
Energized by two lifetimes of looking at pictures, combined with a great artist’s 70-year experience of experimentation as he makes them, this profoundly moving and enlightening volume will be the art book of the decade.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : WorldofBooks, Goring-By-Sea, WS, Royaume-Uni
Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du vendeur GOR007902537
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Vendeur : Better World Books Ltd, Dunfermline, Royaume-Uni
Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 15806987-20
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Vendeur : MIR, Henderson, NV, Etats-Unis
Hardcover. Etat : Good. 1st Edition. Minor wear, creasing to the corners and edges of the book. N° de réf. du vendeur 032525A7
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Vendeur : WeBuyBooks, Rossendale, LANCS, Royaume-Uni
Etat : Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du vendeur wbs3175818971
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Vendeur : WeBuyBooks, Rossendale, LANCS, Royaume-Uni
Etat : Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind. N° de réf. du vendeur wbs2206965389
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Vendeur : WeBuyBooks, Rossendale, LANCS, Royaume-Uni
Etat : Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. N° de réf. du vendeur wbs2208009414
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Vendeur : Bay State Book Company, North Smithfield, RI, Etats-Unis
Etat : good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing. N° de réf. du vendeur BSM.X65Y
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Vendeur : Housing Works Online Bookstore, New York, NY, Etats-Unis
Etat : Very Good. Minimal wear to cover. Pages clean and binding tight. shelf wear. bumped edges. Hardcover. N° de réf. du vendeur CE5-01224
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Vendeur : THE CROSS Art + Books, Sydney, NSW, Australie
28.0 x 21.5cms 360pp 310 colour illusts very good hardback & dustwrapper This book explores how and why people have make pictures since the first cave paintings. It identifies 'problems' and the ways that artists and designers have dealt with them (eg movement three dimensionality etc). It looks at 'how we see what we see and the diverse ways in which artists have translated those experiences onto a 2D surface'. SALE PRICE. N° de réf. du vendeur 20961800
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Vendeur : Book_Attic, Newark on Trent, Royaume-Uni
Hardcover. Etat : Near Fine. 1st Edition. Thames and Hudson Ltd.; 2016. With 310 illustrations. First edition. Hardcover with unclipped dust cover. Near fine condition. N° de réf. du vendeur 0106733
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