The making of pictures has a history going back perhaps 100,000 years to an African shell used as a paint palette. Two-thirds of it is irrevocably lost, since the earliest images known to us are from about 40,000 years ago. But what a 40,000 years, explored here by David Hockney and Martin Gayford in a brilliantly original book. They privilege no medium, or period, or style, but instead, in 16 chapters, discuss how and why pictures have been made, and insistently link ‘art’ to human skills and human needs.
Each chapter addresses an important question: What happens when we try to express reality in two dimensions? Why is the ‘Mona Lisa’ beautiful and why are shadows so rarely found in Chinese, Japanese and Persian painting? Why are optical projections always going to be more beautiful than HD television can ever be? How have the makers of images depicted movement? What makes marks on a flat surface interesting?
Energized by two lifetimes of looking at pictures, combined with a great artist’s 70-year experience of experimentation as he makes them, this profoundly moving and enlightening volume will be the art book of the decade.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
David Hockney is considered one of the most influential British artists of the 20th century. He has produced work in almost every medium - painting, drawing, stage design, photography and printmaking - and has stretched the boundaries of all of them. Born in Bradford, England, in 1937, Hockney attended art school in London before moving to Los Angeles in the 1960s. There, he painted his famous swimming pool paintings. In a 2011 poll of more than 1,000 British artists, Hockney was voted the most influential British artist of all time. He continues to create and exhibit art.
Martin Gayford is art critic for The Spectator and the author of acclaimed books on Van Gogh, Constable and Michelangelo. He is the author of many books, including Man with a Blue Scarf, Rendez-vous with Art, (with Philippe de Montebello), A Bigger Message, Modernists & Mavericks, A History of Pictures (with David Hockney), The Pursuit of Art and Spring Cannot be Cancelled, all published by Thames & Hudson.
The making of pictures has a history going back perhaps 100,000 years to an African shell used as a paint palette. Two-thirds of it is irrevocably lost, since the earliest images known to us are from about 40,000 years ago. But what a 40,000 years, explored here by David Hockney and Martin Gayford in a brilliantly original book. They privilege no medium, or period, or style, but instead, in 16 chapters, discuss how and why pictures have been made, and insistently link ‘art’ to human skills and human needs.
Each chapter addresses an important question: What happens when we try to express reality in two dimensions? Why is the ‘Mona Lisa’ beautiful and why are shadows so rarely found in Chinese, Japanese and Persian painting? Why are optical projections always going to be more beautiful than HD television can ever be? How have the makers of images depicted movement? What makes marks on a flat surface interesting?
Energized by two lifetimes of looking at pictures, combined with a great artist’s 70-year experience of experimentation as he makes them, this profoundly moving and enlightening volume will be the art book of the decade.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
EUR 9,34 expédition depuis Royaume-Uni vers France
Destinations, frais et délaisEUR 6,91 expédition depuis Royaume-Uni vers France
Destinations, frais et délaisVendeur : Clevedon Community Bookshop Co-operative, Clevedon, Royaume-Uni
Hardcover. Etat : Very Good. All of our books without an ISBN number (normally pre-1970 in date) are described individually in detail. Books with an ISBN number (this one included) are all offered for sale in good condition or better: some may be in very good, near fine, or fine condition. If the condition is critical to your decision to purchase, then please contact us and we will let you know our view of its condition. If the book is very heavy, we will may need to contact you before completion of purchase to advise you of extra postage costs. N° de réf. du vendeur 70195
Quantité disponible : 1 disponible(s)
Vendeur : BoundlessBookstore, Wallingford, Royaume-Uni
Etat : Good. Good condition book with dust jacket. DJ is clean, has fresh colours and has light wear, creasing to edges. Book has clean and bright contents. N° de réf. du vendeur 9999-9996601504
Quantité disponible : 1 disponible(s)
Vendeur : THE CROSS Art + Books, Sydney, NSW, Australie
28.0 x 21.5cms 360pp 310 colour illusts very good hardback & dustwrapper This book explores how and why people have make pictures since the first cave paintings. It identifies 'problems' and the ways that artists and designers have dealt with them (eg movement three dimensionality etc). It looks at 'how we see what we see and the diverse ways in which artists have translated those experiences onto a 2D surface'. SALE PRICE. N° de réf. du vendeur 20961800
Quantité disponible : 1 disponible(s)
Vendeur : BooksRun, Philadelphia, PA, Etats-Unis
Hardcover. Etat : Very Good. First Edition. With dust jacket Ship within 24hrs. Satisfaction 100% guaranteed. APO/FPO addresses supported. N° de réf. du vendeur 0500239495-8-1-29
Quantité disponible : 1 disponible(s)
Vendeur : Speedyhen, London, Royaume-Uni
Etat : NEW. N° de réf. du vendeur NW9780500239490
Quantité disponible : 5 disponible(s)
Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur HU-9780500239490
Quantité disponible : 15 disponible(s)
Vendeur : THE CROSS Art + Books, Sydney, NSW, Australie
28.0 x 21.5cms 360pp 310 colour illusts very good hardback & dustwrapper (no front endpaper) This book explores how and why people have make pictures since the first cave paintings. It identifies 'problems' and the ways that artists and designers have dealt with them (eg movement three dimensionality etc). It looks at 'how we see what we see and the diverse ways in which artists have translated those experiences onto a 2D surface'. N° de réf. du vendeur 20936242
Quantité disponible : 1 disponible(s)
Vendeur : Ria Christie Collections, Uxbridge, Royaume-Uni
Etat : New. In. N° de réf. du vendeur ria9780500239490_new
Quantité disponible : 5 disponible(s)
Vendeur : Rattlesnake Books, London, Royaume-Uni
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. Dark blue cloth in a crisp dw; comprehensively illustrated throughout in colour. Signed and dated by Gayford title page. Not clipped, chipped or bumped. Please note this is a whopper that may incur further postage charges. Signed by Author(s). N° de réf. du vendeur 003250
Quantité disponible : 1 disponible(s)
Vendeur : Revaluation Books, Exeter, Royaume-Uni
Hardcover. Etat : Brand New. 344 pages. 11.18x8.94x1.50 inches. In Stock. N° de réf. du vendeur __0500239495
Quantité disponible : 1 disponible(s)