Available for the first time in paperback, this is a revised and updated edition of Jens Hoffmann’s survey of groundbreaking exhibitions since 1989 and explores the radical shifts that have taken place in the practice of curating contemporary art over the last 25 years. Nine thematic sections focus on a huge variety of exhibitions – 53 in total – including those that have explored public space; reflected on globalization; engaged audiences in revolutionary ways; and brought into the gallery other disciplines such as theatre and architecture. Five new exhibitions have been added: ‘Living as Form’ (New York, 2011), the first large-scale survey of ‘social practice’; ‘55th Venice Biennale’ (Venice, 2013), the first time that ‘outsider art’ was presented alongside ‘fine art’ in the most prestigious art exhibition of them all; ‘When Attitudes Become Form: Bern 1969 / Venice 2013’ (Venice, 2013), a remake of arguably the most important exhibition of the last 50 years; ‘The Other Story’ (1989–90, London), interesting as a critical response to the iconic exhibition ‘Magiciens de la Terre’; ‘artevida’ (Rio de Janeiro, 2014), the first overview of artistic practices emerging in the 1960s and 1970s to focus on the Global South.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Jens Hoffmann is an exhibition maker and writer based in New York. He is Deputy Director, Exhibitions and Public Programs at the Jewish Museum, New York, and Senior Curator at the Museum of Contemporary Art Detroit. Hoffmann is the Founding Editor of The Exhibitionist: Journal on Exhibition Making.
Available for the first time in paperback, this is a revised and updated edition of Jens Hoffmann’s survey of groundbreaking exhibitions since 1989 and explores the radical shifts that have taken place in the practice of curating contemporary art over the last 25 years. Nine thematic sections focus on a huge variety of exhibitions – 53 in total – including those that have explored public space; reflected on globalization; engaged audiences in revolutionary ways; and brought into the gallery other disciplines such as theatre and architecture. Five new exhibitions have been added: ‘Living as Form’ (New York, 2011), the first large-scale survey of ‘social practice’; ‘55th Venice Biennale’ (Venice, 2013), the first time that ‘outsider art’ was presented alongside ‘fine art’ in the most prestigious art exhibition of them all; ‘When Attitudes Become Form: Bern 1969 / Venice 2013’ (Venice, 2013), a remake of arguably the most important exhibition of the last 50 years; ‘The Other Story’ (1989–90, London), interesting as a critical response to the iconic exhibition ‘Magiciens de la Terre’; ‘artevida’ (Rio de Janeiro, 2014), the first overview of artistic practices emerging in the 1960s and 1970s to focus on the Global South.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : WorldofBooks, Goring-By-Sea, WS, Royaume-Uni
Paperback. Etat : Very Good. Available for the first time in paperback, this is a revised and updated edition of Jens Hoffmanns survey of groundbreaking exhibitions since 1989 and explores the radical shifts that have taken place in the practice of curating contemporary art over the last 25 years. Nine thematic sections focus on a huge variety of exhibitions 53 in total including those that have explored public space; reflected on globalization; engaged audiences in revolutionary ways; and brought into the gallery other disciplines such as theatre and architecture. Five new exhibitions have been added: Living as Form (New York, 2011), the first large-scale survey of social practice; 55th Venice Biennale (Venice, 2013), the first time that outsider art was presented alongside fine art in the most prestigious art exhibition of them all; When Attitudes Become Form: Bern 1969 / Venice 2013 (Venice, 2013), a remake of arguably the most important exhibition of the last 50 years; The Other Story (198990, London), interesting as a critical response to the iconic exhibition Magiciens de la Terre; artevida (Rio de Janeiro, 2014), the first overview of artistic practices emerging in the 1960s and 1970s to focus on the Global South. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du vendeur GOR008731213
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Vendeur : Prestige Books, Buxton, DERBY, Royaume-Uni
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Paperback. Etat : Brand New. 2nd edition. 272 pages. 10.16x7.95x0.87 inches. In Stock. N° de réf. du vendeur zk0500292620
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